Cover shoot: Taylor Swift, Karlie Kloss and Pendleton

On the Road

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We were super excited to see these shots from the March cover shoot for VOGUE, featuring Taylor Swift and Karlie Kloss.

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Our Blanket!

Yes, that’s our Chief Joseph blanket peeking around inside that beautiful Airstream trailer.

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We love the combination of two traditional American firms, Airstream and Pendleton, making a backdrop for two young American style icons. The BoHo vibe is adorable, and their friendship is palpable.

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All photos courtesy VOGUE.com (source). Look for this issue soon on newsstands.

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Made in USA label with eagle for Pendleton

Pendleton’s Tamiami Trail Blanket and Seminole Patchwork

A Modern Favorite based on Historical Treasures

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Pendleton’s Tamiami Trail blanket has been making some noise this year, showing up on the pages of Lucky:

web_lucky_10_14 Lucky Magazine spread featuring several Pendleton blankets

InStyle:

web_instyle_7_14 InStyle magazine spread featuring the Tamiami Trail blanket

And DOMINO:

Domino magazine spread featuring several Pendleton blankets

The most exciting appearance was on Blake Lively, wearing a Lindsey Thornburg cloak that you can find on preserve.us.

Blake-Lively-leggy-in-boots--wearing a Lindsey Thornburg cape made from a Pendleton Tamiami Trail blanket

That’s quite a bit of press for one blanket. People are responding to the intricate, colorful pattern, but there is a story behind the Tamiami Trail blanket. And it isn’t just a good story. It’s an amazing story about resourcefulness and creativity thriving in diaspora.

The History

Tamiami Trail’s design is based on Seminole patchwork designs used in quilts and clothing. By the end of the Seminole Wars in 1858, the Seminole population of Florida was reduced from thousands to a few hundred. By the late 1800s, most had been driven out of Florida, but small bands remained in the Everglades and Big Cypress Swamp. Seminoles quietly retained their culture — farming, hunting alligators and visiting trading posts along the Miami River with pelts and egret plumes to trade for supplies. Their thatch-roofed homes were called chickees, and they traveled in dugout canoes made from cypress logs.

It was a long canoe trip from the Everglades to trade for cotton cloth. Seminole women began sewing with whatever materials and scraps they could find, including survey pennants, fabric selvedges and end-bolts. The patterns themselves tell stories.

Click here to read about  the symbology of these patterns.

Vintage tourist postcard of a man and woman wearing traditional Seminole strip clothing

“Strip clothing” became the traditional dress for Seminole men and women.

Below is a Seminole strip dress from the permanent collection of the Met.

A Seminole strip dress in the permanent collection of the Met museum, photo courtesy of the Met

The sewing machine became available to Seminole seamstresses around the end of the 19th century. “A sewing machine in every chickee” was the rallying cry. Seminole quilting evolved using ever-smaller and more intricate piecing.

A Seminole seamsress sews garments on a sewing machine

In 1928 the Tamiami Trail, the highway from Tampa to Miami, opened. The Seminole saw new trade opportunities in the tourist market for crafts such as patchwork and palmetto dolls.

A museum display of tourist dolls dressed in Seminole strip dresses
Vintage tourist postcard of Seminole people in strip clothing

So yes, This is a beautiful blanket. But its design tells a larger story about a beautiful Seminole artistic tradition. Their entrepreneurial success along the Tamiami Trail is a testimony to Seminole resilience. Strip clothing is still made and worn today, and it’s every bit as beautiful.

Modern Seminole strip dresses

Additional information here:

http://www.colliermuseums.com/history/seminole_patchwork

http://www.semtribe.com/

http://funandsun.com/1tocf/seminole/semart2.html

German VOGUE–Summer 2014

Pendleton in Germany

We had a gorgeous feature in German VOGUE this summer. The weathered walls and dry landscape make an atmospheric backdrop for our Native American-inspired blankets. Please click for larger views!

Cover with the NIKE N7 blanket

Innovation meets tradition with this collaboration between Nike N7 and Pendleton Woolen Mills.

Innovation meets tradition with this collaboration between Nike N7 and Pendleton Woolen Mills. For inspiration, Nike designer Derek Roberts looked to traditional Native American dress and how the patterns work together to create a garment. He started at the bottom of the blanket with a smaller pattern of arrows that repeats and grows in scale toward the center. The top is a mirror image of the bottom. Putting a unique twist on the traditional Pendleton blanket, he used only black and white instead of the usual multitude of colors. The result is a distinctive, contrast-driven look that subtly blends black and white to create varying grey tones in heathered and color-blocked designs. The center of the blanket prominently features the Nike N7 mark–three arrows pointing back to signify past generations, three arrows pointing forward to signify future generations, and arrows in the center to represent the current generation. The arrows, sometimes appearing as triangles or other shapes, convey both movement and balance. The blanket reverses for a positive/negative visual effect–with a black base on one side and white on the other.

The Crossroads blanket.

The Crossroads design

The Crossroads design reflects First Nations teachings and the power of the four directions – the number “four” is sacred among many Native American tribes. East represents the physical body, the realm of the Warrior. West represents the heart and the path of the Visionary. North is the region of the mind and the wisdom of the Teacher. South represents the spirit, enlightenment and the realm of the Healer. Balance and harmony are achieved where the directions meet at the center of the Medicine Wheel. Crosses in this jacquard pattern symbolize the crossroads where the paths meet – the place where an individual becomes whole.

The San Miguel blanket.

Crossroads blanket

A pattern inspired by mid-to-late 19th-century Native American weaving traditions and the influence of Spanish missionaries in the Southwest. The design’s roots are in the traditional banded Chief Stripe pattern which evolved into a “nine-element” layout. The reversible jacquard has two dramatically different looks.

The Saxony Hills blanket.

Saxony Hills Blanket

The Saxony Hills Blanket references the changing landscape of Navajo weaving in the 1800s. Spanish explorers had introduced Churro sheep to the Southwest in the late 17th century. The Churro bred by the Navajo produced a somewhat coarse, long-staple wool that was hand-spun and woven into shoulder robes or blankets, shirts and sashes. Hand-spun wool from these animals was the main source of yarn for Navajo blankets until the 1860s. Then Saxony yarns arrived in the Southwest by way of the Santa Fe Trail and later the railroad. These fine 3-ply yarns spun from the wool of merino sheep were produced in Saxony, a former German state, and in England, France, and New England. By the mid-1900s, Saxony yarns were used by the Navajos for general weaving. The Saxony Hills Blanket incorporates traditional, geometric Navajo motifs—diamonds, stepped triangles and Spider Woman cross patterns.

Made in USA label with eagle for Pendleton