New for Spring 2019 – Spirit Seeker

Spirit_Seeker_Beauty

Another beautiful blanket for Spring 2018 has arrived at the website!

Spirit Seeker

The Spirit Seeker blanket is predominantly woven in indigo and cream. Accent colors of lime green, orange and fuchsia are used sparingly in complex bands of arrows and flowers. It’s a beautiful arrangement of line and color!

spirit_seeker_front

The blanket’s reverse lets the accent colors shine.

spirit_seeker_back

Spirit Seeker:

The quest for knowledge leads the spiritual seeker on many paths. In Australia, bush people go on ritual wanderings known as walkabouts. The Babongo people of Africa have a rebirthing ritual that includes a journey to find spiritual truth.  Native Americans from many different tribes go on vision quests, rites of passage that include fasting, prayer, and a solitary journey to find life’s purpose. Spirit Seeker celebrates Spirit Seekers and their journeys with multi-directional arrows bordering a medallion, the central truth reached by multiple paths.

Perfect for Spring, perfectly Pendleton.

PWM_USA_label

New for Spring 2019 – Pagosa Springs Blanket

s19_paid_lifestyle_joliegoodson-(2)

Our newest blankets are arriving at the website, and you’re going to love them; Pagosa Springs is a beauty.

Pagosa Springs

hot springs

Pagosa Springs is woven in turquoise and earth tones inspired by hot springs all over the world, like the Grand Prismatic Spring here in the USA.

pagosa_springs_front

The reverse has a light ground, for completely different look. That can be one of the beautiful benefits of jacquard loom weaving.

pagos_springs_back

Pagosa Springs:

Long ago, the Southern Utes of Colorado told of a plague that medicine men could not cure. A council gathered on the riverbank and built a gigantic fire, danced and prayed for help, then fell into a deep sleep. When they woke, the fire was replaced by a pool of fragrant hot water. They bathed and were healed by the springs, naming it “Pah” (water) and “Gosa” (boiling). In the center of this design, blue hot springs rise through a medallion of fire to bring peace and health.

Pagosa Hot Springs is the world’s deepest geothermal hot spring.  Check it out here: Pagosa Hot Springs

s19_paid_lifestyle_joliegoodson-(125)

Spring is a beautiful time for Pendleton.

PWM_USA_label

 

Baby New Year, with Pendleton

_tiffanygalindo_

@_tiffanygalindo_

Happy 2019! We are celebrating with photos shared by proud Pendleton-loving parents…and their adorable babies.

Wool is a fine choice for baby blankets. It’s natural, breathable, warm, lofty, and light. If you’ve ever touched one of our beautiful napped blankets, you know how soft they are. Above, Tiffany Galindo shows us some happiness on the newest Pendleton national park blanket – which celebrates Olympic National Park in Washington state.

olympic foldedolympic flat

See the blanket here: OLYMPIC NATIONAL PARK BLANKET

This blanket also supports a good cause. The National Park Foundation receives a royalty from the purchase of each national park blanket. Pendleton and our partners have donated more than $700,000 so far to support critical restoration projects in our national parks.

xavierxander_ and tejanarendra 2

@xavierxander_ and @tejanarendra

Oh, my goodness. Another adorable baby, this one with a Chief Joseph patterned child’s blanket. These blankets, like our parked blankets, are napped for extra softness and insulation.

karirae

@karirae

Napping is a special mill process that brushes up wool fibers. This creates a softer surface, and more air pockets to hold warm air.  In other words, napping wool doubles the cozy. Napping also makes wool easy to clean, as most soil doesn’t settle into the blanket–it brushes away. All the better for your little ones.

71077_turq

You can see a range of colors here: CHIEF JOSEPH CHILD’S BLANKET

Cotton blankets have advantages, too. Knit blankets are stretchy, which is great for swaddling.

ashperlberg

@ashperlberg

Cotton is also machine washable. If you’ve noticed how leaky babies can be, you’ll see the benefit there. Our Canyonlands Knit Cotton Baby Blanket is a beautiful way to wrap your baby in softness.

carykauk

@carykauk

canyonlands

You can see the blanket here: Canyonlands Blanket for Baby

All Pendleton baby blankets are awesome stroller mates. But we do have a special stroller blanket in one of our most popular stripes, for baby’s adventures in the outdoors.

delta__rose - note 2 underscores in username

@delta__rose

This cuddly cotton knit blanket is backed with faux Sherpa fleece for the ultimate in snuggle factor. You can see it here: STROLLER BLANKET

glacier-baby

These are all wonderful ways to celebrate the new babies in your life; to greet them with open arms and soft, warm Pendleton blankets.

Happy New Year!

 

 

Artist Profile: CENTER OF CREATION by Deborah Jojola

Center_of_Creation

Deborah Jojola is the artist behind “Center of Creation,” the 2018 addition to the Pendleton Legendary series of blankets. An Isleta Pueblo and Jemez Pueblo Native American, Ms. Jojola is an expert in a variety of media, including painting, frescos, printmaking, ceramics, and bookmaking.

Her work is influenced by Surrealism, popular culture, Native culture, and her own personal experiences. She has received many prestigious awards, and is self-taught in her ongoing study of fresco, as part of her mission to bring back the lost art of Isleta Pueblo frescoes.

DebraJojolaArtist.jpg

Said Jojola of Islaeta traditions, “There was a pottery tradition, but it died out. There are contemporary artists that do the contemporary pottery, but it is only taught to family members. I see none in the collections of the many museums I visit. Basket weavers made willow baskets, but that medium is lost, too, no one weaves.” When Ms. Jojola was commissioned to produce a floor mural, she took it upon herself to research traditional designs on pots, kiva walls, and baskets. Her research led her to identify five key Isleta elements:

  1. Flower
  2. Seed pod
  3. Wind and clouds
  4. Lightning/spirit arrow
  5. Seeds flying in the air/circle and dots, also used in body painting by dancers.

These five elements were associated with the nearly vanished pottery tradition. Ms. Jojola used them on the mural, then turned to the art of the fresco, revitalizing the process with these ancient Isleta designs.

To make a fresco, the artist starts with earthen plaster that she screens and cleans. She gets her earth from a nicely cultivated field in Pueblo Jemez. This has been an agricultural area for many thousands of years, and it’s been carefully tended and enriched to stay fertile, so the earth is super fine.

She mixes the earth with a secret ingredient recommended by her mother, a binder that combines the earthen plaster and binds it to the surface that she’s going to plaster. She always uses distilled water to keep her colors clear of chemical contamination.

A framed panel is covered with burlap, which she then covers with the earthen plaster. There also a fiber involved in the fresco; the panel’s wood has been milled, but the burlap has a “tooth” that the plaster adheres to.

She also incorporates mixed media into some of her work; for instance, “Center of Creation” used a lithographed paper border along the bottom. She works with diptychs (two-panels) for ease of transport.

“Center of Creation” is adapted from the first fresco to be entered in the Santa Fe Indian Market.

jojola,Deborah01

Here is the artist’s full explanation of the story told by this very special piece.

It takes two to marry and create life—the diptych is symbolic of that, because it’s two pieces. The cloud is picking up the seed and carrying it around, shown in the movement of the arrows from the earth. This is part of the growth of life, the flower-like passive movement of growing and moving.

The bottom border in the original piece that’s black on white, is actually a lithograph print done on Japanese paper, a contemporary piece. It’s placed directly above an earthen brown border. Old homes on the Pueblo have an earthen border, but it means more than that. We are Earth people. We are born from our Mother. The darkness is Mother Earth.

The two panels of the diptych do not quite touch. This is the center, the lifeline. For potters, the space where things don’t touch is the lifeline. This is the space for the breath that we all need to live. We were always here, and Creator gave us the original instructions on how to care for the earth and all its beings. The arrows symbolize sovereignty, instructions, and purpose to carry on the traditions of spiritual balance.

At the top of the design is the symbolic presence of wind, supported by the curvilinear spiral of life. Life is a spiral, and we have purpose in this life, and beyond this life.

Ms. Jojola is a fascinating person whose years as an artist and educator have involved her in so many artistic and curatorial projects. If you can hear her speak, make the time to listen. She has over 30 years of experience teaching, with time as an instructor at the Georgia O’Keeffe Museum in Santa Fe, the Institute of American Indian Art, the Very Special Art of New Mexico, and OFF Center Community Arts, the East West Center in Honolulu, Hawaii, USA, and the Tamarind Institute. Ms. Jojola coordinated a Printmaking Exchange with Institute of American Indian Arts, Crow’s Shadows Institute in Pendleton, Oregon, USA and University of Sidney, Australia.

More information on her career and work can be found here:

Deborah Jojola 

COC-back

See the blanket here: Center of Creation

And it’s also a beautiful mug! Center of Creation mug

C-O-C-mug

 

 

Artist profile: Full Moon Lodge by Starr Hardridge

Full_Moon_lodge_front

Pendleton’s Full Moon Lodge blanket is based on a painting by Starr Hardridge, an esteemed artist who earned his Bachelor of Fine Arts at the Savannah College of Art and Design in 1997, with further training in France and Italy. He is a registered member of the Muskogee (Creek) Nation of Oklahoma.

w620-d757c02b77a821e718863442c694317e

Hardridge has exhibited at the Grand Palais as part of the Delegation Amerindienne in Paris, and took first place honors at the Santa Fe Art Market. In 2005, he earned the title of Superieur de Peinture Decorative from the Nadai-Verdon Atelier of Decorative Arts. Painting provides a deep link to his personal history. As he says, “My heart is in my art.”

He’s worked in several styles, with newer work using a technique based on pointillism and the beadwork aesthetic of the southeastern woodland nations. The colors and shapes in his newer work are inspiring. You can see his portfolio here: Starr Hardridge

When translating art into weavings, designers face challenges, especially in terms of the numbers of colors we are able to include. The vivid dyes of our wool captured the hues of the original painting; the drama that results from pairing blue and orange is striking. And the reverse is just as exciting!

Full_Moon_Lodge_back

The design illustrates the relationship between mankind, Mother Nature and the creator of the universe whose medicine is love. It acknowledges our place between the sun and the full moon.

Full Moon Lodge is part of our Legendary Collection.

See more of these special blankets here: LEGENDARY BLANKETS

PWM_USA_label

Artist profile: Raven and the Box of Knowledge by Preston Singletary

Raven_HomeCatalog

Preston Singletary is an internationally reknowned glass artist who incorporates traditional Pacific Coast elements in his work. He draws upon his Tlingit heritage with a special concentration on motifs found in Chilkat weaving.

Preston Singletary in his Seattle Studio

Traditional Northwest Coast tribal art uses formlines and ovoids fluid to create work that is vigorous and stylized; paintings, weavings, baskets, masks and totem poles and more. Singletary’s uncommon choice of media–glass and light—invests traditional motifs with breathtaking dimensionality and luminosity.

9_med_BlueRainGallery.jpg

At Pendleton, we have enormous respect for traditional arts done with traditional materials. Glass was traditionally only used in Native American beading. Anyone viewing Preston Singletary’s work in glass would probably agree with the artist when he says that glass “transforms the notion that Native artists are only best when traditional materials are used.”

Spawning+Salmon_print+(1)

SLIDER_IMAGE_1020_680_s_c1.jpg

baskets_1020_680_s_c1

singletarycresthat

Singletary’s show at the Museum of Glass left viewers in a state of awe. See more in this show catalog: ECHOES, FIRE AND SHADOWS

Glass may seem static, but it is extremely visually interactive with its environment. In this excerpt from a documentary by filmmaker Todd Pottinger, Singletary talks about his inspiration, his studio, and the crucial role of light in his work.

And here is his TED talk.

When Preston designed a blanket for the American Indian College Fund, he chose to tell the tale of Raven and the Box of Knowledge. You can see that this design carries the same glowing dimensionality of his art pieces, with ombred stripes of color that meet in the heart of the design to light it from within.

 

Raven and the Box of KnowledgeThis intriguing blanket is based on a work by internationally renowned glass artist Preston Singletary. Mr. Singletary grew up in the Pacific Northwest–both of his great-grandparents were full-blooded Tlingit Indians. His works explore traditional images and legends of his Tlingit heritage translated into glass. The image on this blanket represents Raven, a shape shifter and trickster who often employed crafty schemes to achieve his goals. In the story, the old chief who lived at the head of the Nass River kept his precious treasure –the sun, the moon and the stars– in beautifully carved boxes. Raven steals the light, and making his escape carries the sun in his mouth. The sun is a metaphor for enlightenment or knowledge. The ombred background shades meet in the center in vibrant colors of sun and light. Mr. Singletary’s artworks are included in museum collections from the National Museum of the American Indian in Washington, DC to the Handelsbanken in Stockholm, Sweden. He is a member of the Board of Trustees for the Seattle Art Museum. A portion of the proceeds from this blanket will be donated to the American Indian College Fund.

See the College Fund blankets here: American Indian College Fund Blankets

 

Wild and Scenic Rivers Part Two with Greg Hatten and Pendleton

We continue our series with Greg Hatten’s Woodenboat adventures on rivers protected by the Wild and Scenic Rivers act. In this installment, Greg’s team approaches the run of a lifetime. 

DSCF0497

Frank Church Wilderness

In June I took my wooden boat down the River of No Return in the Frank Church Wilderness of Idaho. The Middle Fork of the Salmon was one of the original eight rivers inducted into the Wild and Scenic program and the bill was written and championed by Senator Frank Church of Idaho. This trip was special for so many reasons – mostly, because I got to row it alongside some of the best guides and woodenboat river runners on the planet…the Helfrich crew.

DSC_0868

The degree of difficulty of rowing this river in a fragile wooden boat was at the high-end of anything I had ever rowed. From the very first oar-stroke, the extreme gradient drop and rocky rapids provided non-stop rowing action the entire first day. For the five mile start through Sulpher Slide, Hell’s Half Mile and the Class IV Velvet Falls, I had just enough time to catch my breath between rapids and cast an occasional glance around at the beauty and rawness of the river wilderness and steep canyon walls we threaded our boats through.

The absence of dams on this river gives us a truly wild river to run – where the river level and conditions are dictated by the weather, the snow melt, the vertical drop, and the rock slides which change sometimes every year. Nothing controlled or contrived about the Middle Fork – it is in it’s natural state – rugged and raw and almost “untouched” by a human hand.

Continue reading

Greg Hatten guest post – Buell Blankets and the St. Joseph Museum

Today’s post is from our friend Greg Hatten, of WoodenBoat adventure fame. Greg has always been interested in our Buell blankets (all retired, but one is still available), which were part of our Mill Tribute Series. Greg decided to find out some information on the original Buell blankets at the source; his hometown of St. Joseph, Missouri. Enjoy this visit, and if you’re interested in our Mill Tribute series blankets, links to our previous posts are below.

Buell-2-table

Buell Blankets Headed West

St. Joseph, Missouri is my hometown. It’s a dreamy little river town that started out as a trading post on the banks of the Missouri and quickly became a launching pad for pioneers headed west to Oregon and California in the mid 1800’s. Some historians estimate that 250,000 settlers made the trek by wagon and on foot between 1850 and 1900. Most of those trips started in St. Joseph or Independence – where final provisions for the 5 month journey were acquired before embarking on the grand westward adventure that started by crossing the Midwestern prairie. Many were leaving for the rest of their lives.

Provisions and Provender

Wool blankets were on the provisions list of every trip – for sleeping and trading with Native Americans along the way. In St. Joseph, the Buell Woolen Mill was the primary source for blankets headed west. Known for quality over quantity, the blankets were strikingly colorful and many designs were based on patterns used by different Native tribes in paintings and beadwork out west. They were prized by the pioneers and Native Americans alike.

Buell-2-slide

As stated in the 1910 Buell Catalog:

Continue reading

A storied pattern – Tucson

One of our new robe-size blankets for 2018 is the Tucson blanket. We especially love how the red version came off the loom.

Tucson_www.pendleton-usa.com-red

The Tucson area was originally home to the Akimel O’odham people, who simply call themselves O’odham, which means ‘The People.” Their creation story inspired this pattern. We have a short version on the hangtag, but the longer version is really quite beautiful.

Continue reading