George Fletcher and the Pendleton Round-Up

A True Pioneer

Public Domain, https://commons.wikimedia.org/w/index.php?curid=115329366
George Fletcher, Wikimedia Commons image

It is almost September, which means it’s almost time for another Pendleton Round-Up.

The town of Pendleton is home to our original mill, and our company has been involved with the Round-Up since its very beginning, including the controversial saddle bronc competition of 1911 immortalized by Oregon’s Ken Kesey in his novel, The Last Go-Round.

It was around a sagebrush campfire in eastern Oregon that Kesey first heard the tale from his father – about the legendary “last go round” that took place at the original Pendleton Round Up in 1911. Hundreds of riders were competing for the first World Championship Broncbusting title, but it was one special trio of buckeroos that provided the drama: a popular black cowboy, George Fletcher; a Nez Perce Indian cowboy, Jackson Sundown; and a fresh-faced kid from Tennessee name of Johnathan E. Lee Spain. Who would walk away with the prize money and the silver-studded saddle? When the dust cleared, everyone knew they’d witnessed something extraordinary (Amazon.com).

We’ve written before about Jackson Sundown. Today, we’d like to talk about another one of those three cowboys: saddle bronc rider George Fletcher.

George Fletcher

Fletcher was born in 1890 in Saint Mary’s, Kansas. His family came West on the Oregon Trail when he was quite young. He grew up near Pendleton, Oregon, working with horses at ranches and on the Umatilla Reservation. He entered his first rodeo at the age of 16 and went on to become one of the finest saddle bronc riders on the circuit.  

Fletcher is best remembered for his presence at the 1911 Pendleton Round-Up, where he was the first African American to ever compete in bronc riding. Judges awarded first prize (the winner’s saddle) to Spain. Second place went to Fletcher and third to Sundown.

By OSU Special Collections & Archives : Commons - George Fletcher, No restrictions, https://commons.wikimedia.org/w/index.php?curid=28068164
George Fletcher, Public Domain

To put it mildly, the crowd did not agree with the decision. Witnesses said the enraged audience began to take apart the grandstand, plank by plank. In order to calm the crown, Sheriff Til Taylor tore George Fletcher’s hat into pieces. He sold the scraps to the audience until he had raised enough money to buy Fletcher a champion’s saddle, declaring him “The People’s Champion.”

Fletcher continued to ride, but he was not allowed to compete in many large rodeos. Other cowboys refused to compete against him, due to both his skill and his race. But he continued to display his skills. According to the National Cowboy and Western Heritage Museum, “Fletcher made exhibition rides on rank broncs, bulls and buffalos at Pendleton and elsewhere prior to his service in World War I. After the war he cowboyed for many years in Oregon…George Fletcher passed from the arena in 1971.” 

Today

When the Round-Up began its Hall of Fame in 1969, Fletcher was among the first group of ten honorees. Learn more about the Hall of Fame here: Pendleton Round-Up Hall of Fame

In 2001, George Fletcher was inducted into the National Rodeo Hall of Fame. See his entry here: George Fletcher at the Rodeo Hall of Fame

In 2014, the city of Pendleton erected a bronze statue of George Fletcher by artist Jerry Werner.

Bronze statue of George Fletcher
photo courtesy Travel Oregon

The statue is located the 300 block of Main Street as part of Pendleton’s Bronze Trail, which commemorates people and places in the town’s history. You can read more here: The Bronze Trail

In 2019, acclaimed children’s author Vaunda Micheaux Nelson published a picture book about Fletcher’s legendary ride. Learn more about it here: Let ‘Er Buck! George Fletcher, the People’s Champion

In 2021, Travel Oregon posted a feature on George Fletcher. Read it here: Pendleton Pioneers who Paved the Way for Diversity  

In 2021, the city of Pendleton unveiled a George Fletcher mural. See it here: Pendleton Mural Honors Cowboy George Fletcher

Learn more about the Pendleton Round-Up here: The Pendleton Round-Up

And if you’re ready for a wild and wooly (and fictionalized) deep dive, Ken Kesey’s novel is here: The Last Go Round

Let-er Buck!

Blue "Born in Oregon" logo

Jackson Sundown, the Bishop Brothers, and the Pendleton Round-Up. Let’er Buck!

Note: In honor of the Pendleton Round-Up, we’re sharing an older post about Jackson Sundown, who is one of the great riders of the American West. It explains our company’s long and rich connection with the Pendleton Round-Up.  Let’er Buck!

The Round-Up

The Pendleton Round-up  starts this week—an amazing rodeo adventure in Pendleton, Oregon, celebrating its 102nd year. Our designers travel there for inspiration, entertainment, and to watch our westernwear in action on rodeo competitors and fans. Oregon Public Broadcasting has a video titled “Pendleton Round-Up: The Wild West Way”  that’s well worth watching (see it here: The Wild West Way), and Cowboys & Indians magazine has some great background.

Among the historic images, you’ll see this shot:

Roy Bishop and Jackson Sundown pose in front of the family teepee of Jackson Sundown.

This is Roy Bishop and Jackson Sundown posing at the Pendleton Round-Up. This image actually made the fashion blogs in 2009, when recreations of Roy Bishop’s fringed coat and Jackson Sundown’s oval-print shirt were part of Pendleton’s Centennial offering. But the story is about more than fashion history. This photo is about rodeo history.

And you might want to read our earlier post about an exhibit of Jackson Sundown’s personal effects, with photos of modern-day volunteers raising the actual teepee in the historic shot below: see it here.

The History of a Strong Connection

The association of Pendleton Woolen Mills and the Round-Up goes back to the very beginning, when along with his brothers Clarence and Chauncey, Roy Bishop established the first mill at its current location in Pendleton, Oregon. The brothers combined their production and retailing expertise with an idled mill, a river, and fine fleece provided by local wool growers. Back then, PWM was a blanket company. Our first and most valued customer was the Native American, and the Bishop brothers worked hard to fill the strong demand (we still sell approximately 60% of our blankets to Native customers every year).

The Bishops were key to the conception of the first Round-Up. Rodeos are big business now, and they were big business then. It was an undertaking to get to a rodeo, especially for a working cowboy. The Round-Up needed something special to draw the crowd. It was unheard-of to include Native Americans to a Western rodeo, but Roy Bishop rode out to meet tribal leaders and invite their participation. He was politely received and quietly listened to, but he left without receiving a definite answer.

The rodeo’s starting date approached, and still he waited. On the morning before the rodeo began, Roy stepped out on the mill’s loading dock. In the distance, he had his answer when he saw the dust of the tribes as they made their way to the Indian campground. The cooperation between the Columbia Basin tribes and the Pendleton Round-up, unique among modern rodeos, continues to this day.

So what about the other person in this photo?

Jackson Sundown

Jackson Sundown

Jackson Sundown was born Waaya-Tonah-Toesits-Kahn in 1863 in Montana. During the Nez Perce war of 1877, he rode with Sitting Bull, retreating to Canada with the Sioux. He eventually returned to Washington, then to Idaho, then to Montana, supporting himself by working, breeding and breaking horses.

In 1911, at the age of 49, Waaya-Tonah-Toesits-Kahn began entering rodeo events in Canada and Idaho using the name Jackson Sundown. The crowds went wild when he tied his braids under his chin, lifted his sombrero and started the ride, his wooly angora chaps streaming.

He took so many prizes that other riders refused to challenge him. Stock owners pulled their animals when they saw his name on the list of possible riders, as after Jackson Sundown rode a horse, it might be so thoroughly mastered that it never bucked again.

Jackson Sundown entered the Pendleton Round-Up several times, placing but not winning. In 1915, in a controversial decision, he placed third and decided to retire from rodeo riding. But a sculptor named Alexander Phimister Proctor prevailed upon him to try one more time. In 1916, he did. Jackson Sundown came out of the gate on a horse named Angel, and the spectacular ride that followed has become legendary. The crowd went wild, and threatened to take down the grandstands board-by-board if Sundown wasn’t awarded the title he had so clearly won.

Jackson Sundown and his fellow champions
Enter a caption

At twice the age of his competitors, the lanky six-foot tall Indian not only won the bucking championship, but the all-around title as well. He lived out his life on the Nez Perce reservation, raising horses and passing on his skills until his death in 1923. He’s been inducted into more rodeo and athletic halls-of-fame than we have space to list. He is a key character in a novel by Ken Kesey, The Last Go ‘Round.

A Documentary

Jackson Sundown is also featured in a terrific documentary called “American Cowboys.” This is a detailed look at the frustration of competitive riding for contestants of color. It was playing at the Tamastslikt Cultural Center just outside Pendleton, which is a fantastic place to learn about the history of the tribes of the Columbia Basin. It may or may not be part of their permanent installation, but this documentary includes footage of Sundown riding. Sadly, photographs of him riding rare; this may be the only one.

A rare photo of Jackson Sundown riding in the Pendleton Round-Up Arena. The photo has been written upon, and these are the words: "Moorhouse 1916 - Winning the Championship of the World 'Jackson Sundown' on 'Angel' 'no 6' Pendleton Ore"

It is sad that a man who possessed such incredible skills in horsemanship isn’t shown during more of his competitive rides. But there are plenty of images of Jackson Sundown showing his deep understanding of a wardrobe’s role in a great performance. Chaps, hat, and that aloof expression. Jackson Sundown had it all, a fact well-illustrated by this logo for the National Cowboy & Western Heritage Museum. Yes, that is Jackson Sundown.

Logo for the National Cowboy and Western Heritage Museum in Oklahoma City, Oklahoma, which features a silhouette of Jackson Sundown.

So today, in honor of the Pendleton Round-Up, please enjoy these images of Jackson Sundown; Nez Perce warrior, compatriot of Sitting Bull, bronc rider, horse breeder, main character, documentary subject, fashion blog icon, Round-Up Champion and Inductee into the Hall of Fame at the National Cowboy and Western Heritage Museum.

And a true proponent of individual style.

Jackson Sundown poses with another rider to his left and a businessman to his right. Sundown is smiling, and wearing his signature hat and silk kerchiefs, his wooly potted chaps, and beaded gloves that feature a rider on a bucking horse on the cuffs.
Jackson Sundown poses inside a stable with his championship saddle. He is wearing furry chaps, his signature hat, and a senim workshirt. When he rode, Sundown often tied his braids together on his chest, and they are so tied in this photo. He also holds a lariat.
Jackson SUndown poses in front of his family teepee, wearing a dark cotton shirt with large light polkadots, no hat, a beaded belt, and beaded gloves that show a rider on a bucking horse.
Jackson Sundown smiles for the camera, wearing a chambray shirt, his hat and kerchief, a champion belt buckle, and his beaded gloves.
Jackson Sundown sits on his horse, wearing his signature hat, a dark cotton shirt with large light polka dots, and beaded gloves.
An iconic photo of Jackson Sundown, standing with one foot forward wearing his signature wooly chaps, hands on hips, facing the camera without a smile.

A new blanket for Jackson Sundown, Pendleton Round-Up Champion

Editor’s note

In honor of the new blanket honoring Jackson Sundown, we’re sharing an older post about one of the great riders of the American West. It explains our company’s long and rich connection with the Pendleton Round-Up, and tells the story of Jackson Sundown, a real-life hero and icon of the west.

2016 Jackson Sundown blanket

Sundown was the first Native American to win the World Saddle Bronc Championship and crowned the All-Around Cowboy at the Pendleton Round Up in 1916…at the age of 53! He was the nephew of Chief Joseph and his life spanned from the Indian Wars to frontier settlement. Pendleton has created a Jackson Sundown blanket that is only available at two locations:

Tamastslikt Cultural Institute
47106 Wildhorse Blvd.
Pendleton, Oregon 97801
541.966.974

Pendleton Mill Store
1307 SE Court
Pendleton, Oregon 97801
541.276.6911

Let’er Buck!

The Pendleton Round-up  is going on this week—an amazing rodeo adventure in Pendleton, Oregon. Our designers travel there for inspiration, entertainment, and to watch our westernwear in action on rodeo competitors and fans. Oregon Public Broadcasting has a video titled “Pendleton Round-Up: The Wild West Way”  that’s well worth watching, and Cowboys & Indians magazine has some great background.

Among the historic images, you’ll see this shot:

Roy Bishop and Jackson Sundown stand in front of a teepee.

This is Roy Bishop and Jackson Sundown posing at the Pendleton Round-Up. This image actually made the fashion blogs in 2009, when recreations of Roy Bishop’s fringed coat and Jackson Sundown’s oval-print shirt were part of Pendleton’s Centennial offering. But the story is about more than fashion history. This photo is about rodeo history.

The association of Pendleton Woolen Mills and the Round-Up goes back to the very beginning, when along with his brothers Clarence and Chauncey, Roy Bishop established the first mill at its current location in Pendleton, Oregon. The brothers combined their production and retailing expertise with an idled mill, a river, and fine fleece provided by local wool growers. Back then, PWM was a blanket company. Our first and most valued customer was the Native American, and the Bishop brothers worked hard to fill the strong demand (we still sell approximately 60% of our blankets to Native customers every year).

The Bishops were key to the conception of the first Round-Up. Rodeos are big business now, and they were big business then. It was an undertaking to get to a rodeo, especially for a working cowboy. The Round-Up needed something special to draw the crowd. It was unheard-of to include Native Americans to a Western rodeo, but Roy Bishop rode out to meet tribal leaders and invite their participation. He was politely received and quietly listened to, but he left without receiving a definite answer.

The rodeo’s starting date approached, and still he waited. On the morning before the rodeo began, Roy stepped out on the mill’s loading dock. In the distance, he had his answer when he saw the dust of the tribes as they made their way to the Indian campground. The cooperation between the Columbia Basin tribes and the Pendleton Round-up, unique among modern rodeos, continues to this day.

So what about the other person in this photo?

Jackson Sundown poses in his woolly chaps.

Jackson Sundown was born Waaya-Tonah-Toesits-Kahn in 1863 in Montana. During the Nez Perce war of 1877, he rode with Sitting Bull, retreating to Canada with the Sioux. He eventually returned to Washington, then to Idaho, then to Montana, supporting himself by working, breeding and breaking horses.

In 1911, at the age of 49, Waaya-Tonah-Toesits-Kahn began entering rodeo events in Canada and Idaho using the name Jackson Sundown. The crowds went wild when he tied his braids under his chin, lifted his sombrero and started the ride, his wooly angora chaps streaming.

He took so many prizes that other riders refused to challenge him. Stock owners pulled their animals when they saw his name on the list of possible riders, as after Jackson Sundown rode a horse, it might be so thoroughly mastered that it never bucked again.

Jackson Sundown entered the Pendleton Round-Up several times, placing but not winning. In 1915, in a controversial decision, he placed third and decided to retire from rodeo riding. But a sculptor named Alexander Phimister Proctor prevailed upon him to try one more time. In 1916, he did. Jackson Sundown came out of the gate on a horse named Angel, and the spectacular ride that followed has become legendary. The crowd went wild, and threatened to take down the grandstands board-by-board if Sundown wasn’t awarded the title he had so clearly won.

Three competitors, one winner.

At twice the age of his competitors, the lanky six-foot tall Indian not only won the bucking championship, but the all-around title as well. He lived out his life on the Nez Perce reservation, raising horses and passing on his skills until his death in 1923. He’s been inducted into more rodeo and athletic halls-of-fame than we have space to list. He is a key character in a novel by Ken Kesey, The Last Go ‘Round.

Jackson Sundown is also featured in a terrific documentary called “American Cowboys.” This is a detailed look at the frustration of competitive riding for contestants of color. It was playing at the Tamastslikt Cultural Center just outside Pendleton, which is a fantastic place to learn about the history of the tribes of the Columbia Basin. It may or may not be part of their permanent installation, but this documentary includes footage of Sundown riding. Sadly, photographs of him riding rare; this may be the only one.

Jackson Sundown rides Angel, his fierce bucking bronco.

It is sad that a man who possessed such incredible skills in horsemanship isn’t shown during more of his competitive rides. But there are plenty of images of Jackson Sundown showing his deep understanding of a wardrobe’s role in a great performance. Chaps, hat, and that aloof expression. Jackson Sundown had it all, a fact well-illustrated by this logo for the National Cowboy & Western Heritage Museum. Yes, that is Jackson Sundown.

Logo for the National Cowboy and Western Heritage Museum, featuring a silhouette of Jackson Sundown.

So today, in honor of the Pendleton Round-Up, please enjoy these images of Jackson Sundown; Nez Perce warrior, compatriot of Sitting Bull, bronc rider, horse breeder, main character, documentary subject, fashion blog icon, Round-Up Champion and Inductee into the Hall of Fame at the National Cowboy and Western Heritage Museum.

And a true proponent of individual style.

Sundown, 1916
Sundown poses with his winning certificate
Jackson Sundown in the cotton shirt with ovals, remade by Pendleton to commemorate the Round-Up centennial. His beaded glove cuffs show him riding.
Sundown in his trademark hat, and another pair of gloves with beautiful beaded cuffs.
Sundown on his horse.
Jackson Sundown

Jackson Sundown, the Bishop Brothers, and the Pendleton Round-Up. Let’er Buck!

Note:

In honor of the Pendleton Round-Up, we’re sharing an older post about Jackson Sundown, who is one of the great riders of the American West. It explains our company’s long and rich connection with the Pendleton Round-Up. And you might want to read our earlier post about an exhibit of Jackson Sundown’s personal effects, with photos of modern-day volunteers raising the actual teepee in the historic shot below: see it here.  Let’er Buck!

The Pendleton Round-Up

The Pendleton Round-up  starts this week—an amazing rodeo adventure in Pendleton, Oregon, celebrating its 102nd year. Our designers travel there for inspiration, entertainment, and to watch our westernwear in action on rodeo competitors and fans. Oregon Public Broadcasting has a video that’s well worth watching.

See it here: “Pendleton Round-Up: The Wild West Way”  

Among the historic images, you’ll see this shot:

Roy Bishop and Jackson Sundown pose together in front of Mr. Sundown's family tipi.

This is Roy Bishop and Jackson Sundown posing at the Pendleton Round-Up. This image actually made the fashion blogs in 2009, when recreations of Roy Bishop’s fringed coat and Jackson Sundown’s oval-print shirt were part of Pendleton’s Centennial offering. But the story is about more than fashion history. This photo is about rodeo history.

The association of Pendleton Woolen Mills and the Round-Up goes back to the very beginning, when along with his brothers Clarence and Chauncey, Roy Bishop established the first mill at its current location in Pendleton, Oregon. The brothers combined their production and retailing expertise with an idled mill, a river, and fine fleece provided by local wool growers. Back then, PWM was a blanket company. Our first and most valued customer was the Native American, and the Bishop brothers worked hard to fill the strong demand (we still sell approximately 60% of our blankets to Native customers every year).

The Bishops were key to the conception of the first Round-Up. Rodeos are big business now, and they were big business then. It was an undertaking to get to a rodeo, especially for a working cowboy. The Round-Up needed something special to draw the crowd. It was unheard-of to include Native Americans to a Western rodeo, but Roy Bishop rode out to meet tribal leaders and invite their participation. He was politely received and quietly listened to, but he left without receiving a definite answer.

The rodeo’s starting date approached, and still he waited. On the morning before the rodeo began, Roy stepped out on the mill’s loading dock. In the distance, he had his answer when he saw the dust of the tribes as they made their way to the Indian campground. The cooperation between the Columbia Basin tribes and the Pendleton Round-up, unique among modern rodeos, continues to this day.

So what about the other person in this photo?

Jackson Sundown

Historical photo of Jackson Sundown

Jackson Sundown was born Waaya-Tonah-Toesits-Kahn in 1863 in Montana. During the Nez Perce war of 1877, he rode with Sitting Bull, retreating to Canada with the Sioux. He eventually returned to Washington, then to Idaho, then to Montana, supporting himself by working, breeding and breaking horses.

In 1912, at the age of 49, Waaya-Tonah-Toesits-Kahn began entering rodeo events in Canada and Idaho using the name Jackson Sundown. The crowds went wild when he tied his braids under his chin, lifted his sombrero and started the ride, his wooly angora chaps streaming.

He took so many prizes that other riders refused to challenge him. Stock owners pulled their animals when they saw his name on the list of possible riders, as after Jackson Sundown rode a horse, it might be so thoroughly mastered that it never bucked again.

Jackson Sundown entered the Pendleton Round-Up several times, placing but not winning. In 1915, in a controversial decision, he placed third and decided to retire from rodeo riding. But a sculptor named Alexander Phimister Proctor prevailed upon him to try one more time. In 1916, he did. Jackson Sundown came out of the gate on a horse named Angel, and the spectacular ride that followed has become legendary. The crowd went wild, and threatened to take down the grandstands board-by-board if Sundown wasn’t awarded the title he had so clearly won.

Jackson SUndown poses with felloe rodeo champions in a historical photo that's part of the University of oregon archives.

At twice the age of his competitors, the lanky six-foot tall Indian not only won the bucking championship, but the all-around title as well. He lived out his life on the Nez Perce reservation, raising horses and passing on his skills until his death in 1923. He’s been inducted into more rodeo and athletic halls-of-fame than we have space to list. He is a key character in a novel by Ken Kesey, The Last Go ‘Round.

Jackson Sundown is also featured in a terrific documentary called “American Cowboys.” This is a detailed look at the frustration of competitive riding for contestants of color. It was playing at the Tamastslikt Cultural Center just outside Pendleton, which is a fantastic place to learn about the history of the tribes of the Columbia Basin. It may or may not be part of their permanent installation, but this documentary includes footage of Sundown riding. Sadly, photographs of him riding rare; this may be the only one.

Jackson Sundown riding, Pendleton Round-Up historical photo from 1916

It is sad that a man who possessed such incredible skills in horsemanship isn’t shown during more of his competitive rides. But there are plenty of images of Jackson Sundown showing his deep understanding of a wardrobe’s role in a great performance. Chaps, hat, and that aloof expression. Jackson Sundown had it all, a fact well-illustrated by this logo for the National Cowboy & Western Heritage Museum. Yes, that is Jackson Sundown.

Logo of the National Cowboy and Western heritage Museum, Oklahoma City

So today, in honor of the Pendleton Round-Up, please enjoy these images of Jackson Sundown; Nez Perce warrior, compatriot of Sitting Bull, bronc rider, horse breeder, main character, documentary subject, fashion blog icon, Round-Up Champion and Inductee into the Hall of Fame at the National Cowboy and Western Heritage Museum.

And a true proponent of individual style.

Sundown in 1916, the champion
Historical photo of Jackson Sundown
JacksonSundown-Please note his beaded glove cuffs and polka dot shirt
Jackson Sundown smiles for the camera
Jackson Sundown on his horse, note beaded glove cuffs.
Jackson-Sundown in full riding splendor, wearing another beautiful pair of beaded gloves.

Jackson Sundown Exhibits

Museum Request

Bob Chenoweth, a museum curator, contacted us to see if he might acquire a Jackson Sundown Western shirt for some upcoming exhibits in Idaho. He also mentioned a tipi that had belonged to Mr. Sundown that he was hoping to include, as well.

The shirt in question was a special design we produced in 2009/2010 based on a shirt worn by Mr. Sundown in one of the more iconic shots in Pendleton’s archives. Mr. Chenoweth acquired his Jackson Sundown shirt, and we also sent him a copy of the photo that inspired it.

Roy Bishop & Jackson Sundown

He replied as follows:

I thought you might like to know that after comparing contemporary photos of the tipi from when we set it up a few years ago to the photo you sent, it is the same tipi. 

Tipi 4

 

This particular tipi was made in about 1878 for Corbet Lawyer to use when he went to Oklahoma to advocate and help the 1877 war prisoners that were taken there after Chief Joseph surrendered at Bear Paw, Montana.

It was later passed on to Jackson Sundown until his death.  Jackson shortened the base by about two feet.  You can see it is tattered along the bottom edge. 

It reverted to the Lawyer family and Archie set it up at the National Congress of American Indians in Lewiston in 1961. It came to Nez Perce National Historical Park in about 2003 as a loan from the Lawyer family.

We did set up the tipi some years ago here at the park. As you can see, we did not pull it too tight or stake it down, since it was pretty old

We are exhibiting a saddle used by Jackson Sundown at the Lapwai rodeo in 1914, along with a quirt that he owned, and the “replica” Jackson Sundown shirt Pendleton produced a couple years ago. This exhibit is currently at the Nez Perce NHP near Lapwai, Idaho, through the end of January. Then these items will go on the road.

Where to see it

You can see these items at the Nez Perce National Historical park near Lapwai, Idaho. After that, these items will be part of an exhibit featuring Jackson Sundown material as part of the Idaho Historical Museum’s Sesquicentennial exhibition. This upcoming exhibit will be at the Idaho State Historical Museum in Boise and is slated to open Spring, 2013.

Mr. Chenoweth had hoped to use the tipi in this exhibit, along with several other Sundown artifacts, but it appears that the gallery space does not have enough height to accommodate the tipi. That is simply too bad, but at least…you can see it here.

Jackson Sundown and the Pendleton Round-Up

The Pendleton Round-up

… is going on right now—an amazing rodeo adventure in Pendleton, Oregon, celebrating its 102nd year. Our designers travel there for inspiration, entertainment, and to watch our westernwear in action on rodeo competitors and fans. Oregon Public Broadcasting has a video titled “Pendleton Round-Up: The Wild West Way”  that’s well worth watching, and Cowboys & Indians magazine has some great background.

Among the historic images, you’ll see this shot:

Roy Bishop and Jackson Sundown

This is Roy Bishop and Jackson Sundown posing at the Pendleton Round-Up. This image actually made the fashion blogs in 2009, when recreations of Roy Bishop’s fringed coat and Jackson Sundown’s oval-print shirt were part of Pendleton’s Centennial offering. But the story is about more than fashion history. This photo is about rodeo history.

The Bishops

The association of Pendleton Woolen Mills and the Round-Up goes back to the very beginning, when along with his brothers Clarence and Chauncey, Roy Bishop established the first mill at its current location in Pendleton, Oregon. The brothers combined their production and retailing expertise with an idled mill, a river, and fine fleece provided by local wool growers. Back then, PWM was a blanket company. Our first and most valued customer was the Native American, and the Bishop brothers worked hard to fill the strong demand (we still sell approximately 60% of our blankets to Native customers every year).

The Bishops were key to the conception of the first Round-Up. Rodeos are big business now, and they were big business then. It was an undertaking to get to a rodeo, especially for a working cowboy. The Round-Up needed something special to draw the crowd. It was unheard-of to include Native Americans to a Western rodeo, but Roy Bishop rode out to meet tribal leaders and invite their participation. He was politely received and quietly listened to, but he left without receiving a definite answer.

The rodeo’s starting date approached, and still he waited. On the morning before the rodeo began, Roy stepped out on the mill’s loading dock. In the distance, he had his answer when he saw the dust of the tribes as they made their way to the Indian campground. The cooperation between the Columbia Basin tribes and the Pendleton Round-up, unique among modern rodeos, continues to this day.

So what about the other person in this photo?

Jackson Sundown

Jackson Sundown

Jackson Sundown was born Waaya-Tonah-Toesits-Kahn in 1863 in Montana. During the Nez Perce war of 1877, he rode with Sitting Bull, retreating to Canada with the Sioux. He eventually returned to Washington, then to Idaho, then to Montana, supporting himself by working, breeding and breaking horses.

In 1911, at the age of 49, Waaya-Tonah-Toesits-Kahn began entering rodeo events in Canada and Idaho using the name Jackson Sundown. The crowds went wild when he tied his braids under his chin, lifted his sombrero and started the ride, his wooly angora chaps streaming.

He took so many prizes that other riders refused to challenge him. Stock owners pulled their animals when they saw his name on the list of possible riders, as after Jackson Sundown rode a horse, it might be so thoroughly mastered that it never bucked again.

Jackson Sundown entered the Pendleton Round-Up several times, placing but not winning. In 1915, in a controversial decision, he placed third and decided to retire from rodeo riding. But a sculptor named Alexander Phimister Proctor prevailed upon him to try one more time. In 1916, he did. Jackson Sundown came out of the gate on a horse named Angel, and the spectacular ride that followed has become legendary. The crowd went wild, and threatened to take down the grandstands board-by-board if Sundown wasn’t awarded the title he had so clearly won.

Jackson Sundown and two of his co-competitors

At twice the age of his competitors, the lanky six-foot tall Indian not only won the bucking championship, but the all-around title as well. He lived out his life on the Nez Perce reservation, raising horses and passing on his skills until his death in 1923. He’s been inducted into more rodeo and athletic halls-of-fame than I have space to list. He is a key character in a novel by Ken Kesey, The Last Go ‘Round.

Jackson Sundown is also featured in a terrific documentary called “American Cowboys.” This is a detailed look at the frustration of competitive riding for contestants of color. It was playing at the Tamastslikt Cultural Center just outside Pendleton, which is a fantastic place to learn about the history of the tribes of the Columbia Basin. It may or may not be part of their permanent installation, but this documentary includes footage of Sundown riding. Sadly, photographs of him riding rare; this may be the only one.

Jackson Sundown riding Angel

It is sad that a man who possessed such incredible skills in horsemanship isn’t memorialized while sitting a horse. But there are plenty images of Jackson Sundown that show just how much he understood the role of wardrobe in a great performance. Chaps, hat, and that aloof expression. Jackson Sundown had it all, a fact well-illustrated by this logo for the National Cowboy & Western Heritage Museum. Yes, that is Jackson Sundown.

Logo for the National Cowboy and Western History museum

So today, in honor of the Pendleton Round-Up, please enjoy these images of Jackson Sundown; Nez Perce warrior, compatriot of Sitting Bull, bronc rider, horse breeder, main character, documentary subject, fashion blog icon, Round-Up Champion and Inductee into the Hall of Fame at the National Cowboy and Western Heritage Museum.

And a true proponent of individual style.

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