The Board Shirt by Pendleton, for an Endless Summer

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As we head into the lazy days of summer, it’s time to celebrate the Pendleton Board Shirt.

In the early 1960s, a group called The Pendletones adopted their name in honor of the surf uniform of the day. When surfing came to California in the late 1950s, surfers devised performance wear: swim trunks and plaid Pendleton shirts over a layer of Vaseline. Surfers wore the same shirts over light pants on the shore, and a fashion trend was born.

Even though only one member of the group had ever been up on a surfboard, the Pendletones sang about the simple summer pleasures of the SoCal surf scene; waves, sunshine, cars and girls. Under the unique artistic leadership of Brian Wilson, layered instrumentation and soaring harmonies made these songs anything but simple.

The Pendletones changed their name to the Beach Boys in 1962. And though their name changed, their uniform didn’t. The band wore this blue and charcoal plaid shirt on the covers of 45s and LPs throughout the early 1960s. The Board Shirt remains our bestselling men’s wool shirt to this day. It’s a simple style with a straight hem, signature flap pockets and that easy sport collar with the telltale thread loop, just in case you’re buttoning all the way up. We know, it’s your favorite.

It’s a wonderful time to shop the board shirt. See them here: BOARD SHIRTS

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Jackson Sundown, the Bishop Brothers, and the Pendleton Round-Up. Let’er Buck!

Note: In honor of the Pendleton Round-Up, we’re sharing an older post about Jackson Sundown, who is one of the great riders of the American West. It explains our company’s long and rich connection with the Pendleton Round-Up. And you might want to read our earlier post about an exhibit of Jackson Sundown’s personal effects, with photos of modern-day volunteers raising the actual teepee in the historic shot below: see it here.  Let’er Buck!

The Pendleton Round-up  starts this week—an amazing rodeo adventure in Pendleton, Oregon, celebrating its 102nd year. Our designers travel there for inspiration, entertainment, and to watch our westernwear in action on rodeo competitors and fans. Oregon Public Broadcasting has a video titled “Pendleton Round-Up: The Wild West Way”  that’s well worth watching, and Cowboys & Indians magazine has some great background.

Among the historic images, you’ll see this shot:

This is Roy Bishop and Jackson Sundown posing at the Pendleton Round-Up. This image actually made the fashion blogs in 2009, when recreations of Roy Bishop’s fringed coat and Jackson Sundown’s oval-print shirt were part of Pendleton’s Centennial offering. But the story is about more than fashion history. This photo is about rodeo history.

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Happy National Donut Day!

Editor’s note: Today’s blog post is a FLASHBACK to a project that is ALL SOLD OUT–but it’s a fun one. This post was written by guest blogger Mark Poltorak, who manages the Pendleton employee store. Enjoy it!

Everyone who works at Pendleton’s corporate office has smelled it; that delicious odor of deep-fried donut batter as we leave the building and walk toward Burnside.

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A line of patient patrons congests the sidewalks for what seems like 24 hours a day.  We see the iconic pink boxes all over town, in the airport and on TV.

Established in 2003, Voodoo Doughnuts has become an iconic, must-see/eat in the “Keep Portland Weird” tourist scene.  Now, Voodoo has asked Pendleton to create a Voodoo Doughnut blanket that will keep you as warm as those fresh out-of-the-fryer sugary treats.

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The blanket features a detailed display of Voodoo icons.  In the center, emerging from the center of the blanket (and a doughnut, of course), we are greeted by none other than Baron Samedi.  Baron Samedi waits at the crossroads between the worlds of the living and the deceased.  He is armed with a shovel and eager to dig the graves and greet the souls of the newly departed.  It is rumored that Baron Samedi can be brought to a swoon with treats (such as doughnuts!).

A comforting sight to balance the grim aura of Baron is the impressive spread of Voodoo’s bread and butter: the doughnuts! Fans of Voodoo will find all their bizarre but delicious favorites: the McMinnville Cream, Neapolitan, Diablos Rex, Sprinkle, Bacon Maple Bar, Portland Cream and Triple Chocolate.

Of course, the blanket wouldn’t be complete without a representation of the most iconic Voodoo doughnut of all! The Voodoo Doll doughnut is featured multiple times.

Long after Baron has claimed us all for his own keeping, this eerie blanket will keep you warm.  And remember, “The Magic is in the Hole.”

May the Fourth be With You

starwarsday_01May the Fourth is the fan-driven celebration of all things STAR WARS. Pendleton is doing our part with a STAR WARS blanket giveaway on Instagram. This giveaway will run Friday through Monday. Entering is easy!

(1) Follow @pendletonwm on Instagram.

(2) Tag 2 friends in the comment section of this post: INSTAGRAM GIVEAWAY POST

(3) You’re entered, easy as that!

Entry period ends on Monday, May 7th, 2018 at midnight PST. Winner will be announced on Wednesday May 9th. For complete rules visit: www.pendleton-usa.com/rules

And to help you celebrate even more, all Star Wars blankets are 20% off today. Check them out!  STAR WARS BLANKETS

Mea Alford, 1945 Pendleton Round-Up Princess

When Mary Esther Brock (or Mea, as she’s been called most of her life) was appointed to the Court, there hadn’t been a Pendleton Round-Up for two years. World War II was still going on, but the community missed their annual tradition so much that they decided to hold it anyway. And an important part of the Round-Up is the Round-Up Court.

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Pioneer Heritage

Round-Up royalty was chosen based on family history, age and ability to ride a horse. Mea, reminiscing, stressed that a family’s pioneer background was one of the most important criteria. Her father’s grandparents had come from Missouri on the Oregon Trail in 1848 or 1849, settling first in Heppner, where her father, Wilson E. Brock, was born. Her grandfather was treasurer of the first Pendleton Round-Up. So her pioneer pedigree was impeccable on her father’s side.

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WE WALK TOGETHER by Ginew, Dyani White Hawk and Pendleton

Native American-owned apparel company Ginew of Portland, Oregon, has released their WE WALK TOGETHER wool blanket.

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The blanket represents a fusion of tribal cultures (Ojibwe, Oneida, and Mohican), and is the result of an exploration of design with artist DYANI WHITE HAWK. Each blanket is proudly woven in Oregon by Pendleton® Woolen Mills.

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GINEW, The Company

GINEW Gih-noo) is the only Native American owned premium denim collection. Focusing on American-made materials, they incorporate elements of their Native American heritage (Ojibwe, Oneida, & Mohican) to express a contemporary Native voice through premium apparel and accessories. Ginew is Native-Americana, fusing Native American style and workwear.

According to Ginew,

It is customary in our communities to wrap a newly joined couple in a blanket to symbolize their union. The blanket colors represent the sacred day (sunrise & sunset) and wampum belt (purples), teachings which impart values to guide us in our life together. The lodges are in the shape of traditional Ojibwe and Oneida dwellings. The crest fuses timeless symbols from each of our tribes, the dwelling (Ojibwe) and Skydome (Oneida). Together, the colors and symbols represent how we value our traditional beliefs in our home as we walk this journey of life together.

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The Artist, Dyani White Hawk

Dyani White Hawk is a mixed-media artist and curator working in Minneapolis, MN. White Hawk draws from her multi-cultural background and education to create abstract paintings and mixed media works that speak to her upbringing as a Lakota woman in an urban American landscape.

She talks about her background and design process:

I am a painter and mixed-media artist. I work predominantly in abstraction. My work combines influences, mediums and histories of modern abstract painting and Lakota abstract art forms. You can find more information on my website: www.dyaniwhitehawk.com

Erik, Amanda, and myself all met when we were at the University of Wisconsin-Madison. It was a brief, single dinner meeting, but the connection lasted. I was excited to hear from Erik on ways we could collaborate. He threw out a few different possibilities before this one came together. In a very collaborative process, we worked to achieve a design that spoke to each of their tribal backgrounds, their individuality, their partnership, and their vision for high quality, finely crafted, culturally rooted products.

I am grateful for the partnership and the opportunity provided through our work together. Moreover, I am most excited to be able to be a part of and support the dreams and visions for another Native entrepreneurial team.

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The WE WALK TOGETHER blanket is woven of pure virgin wool and cotton. Each wool blanket is 64” x 80”, unnapped, felt bound, and adorned with a custom suede patch. Available on ginewusa.com.

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A Colorful Smoky Mountain Elopement

Today’s post is a repost from thebridelink.com  (with permission, of course). Enjoy it here, and if you’d like to see more photos, head over there! 

Smoky Mountain Elopement

Photography:  Leah Moyers Photography    Officiant : Radiant Gatherings

There is something so intimate, meaningful, and special about an elopement. The act of two people intentionally choosing to say ‘I do’ JUST to each other (and sometimes just parents or immediate family) has a certain charm that we adore. We were smitten when looking through talented Leah Moyers‘ photographs of their creekside ceremony in the Smoky Mountains National Park. We are all about infusing meaning into as many wedding day details as possible and Sandie and Greg did this to perfection – below you’ll read how this sweet couple met and why boats and water are paramount in their relationship (swoon…). After a personalized ceremony reading by officiant Radiant Gatherings, the newlyweds headed to Tennessee staple property Blackberry Farm for dinner and continued celebrations. Cheers to the new Mr. and Mrs!

Leah Moyers said:

“Smoky Mountain and Blackberry Farm Elopement: Sandie & Greg’s intimate elopement was so special, what incredible locations! We started the day in their room at Blackberry Farm in Walland, TN. Blackberry Farm is “one of America’s most celebrated intimate luxury hotels… situated on a pastoral 4,200-acre estate in the Great Smoky Mountains… one of the top rated properties in the world.” Sandie chose a beautiful Alice+Olivia dress with intricate embroidered scenes depicting wildlife and nature, very fitting for their wedding day in the mountains. Sandie’s earrings were cast rosemary. During the Victorian era, the herbs a bride carried held serious meaning: rosemary stood for remembrance. She wore a cast feather bracelet, her grandmother’s pin in her hair and clogs from Bryr’s handmade bridal line. We enjoyed wandering around the farm and taking portraits by the stream, the garden and the boat house. Sandie & Greg met on a weekend long kayaking trip and the boat house was a perfect place for them to have portraits made as boats are an important and sentimental part of their life together. Their ceremony took place by the water on mossy rocks in a magnificent part of the Smoky Mountains National Park. Intimate elopements are seriously amazing to photograph and I enjoyed spending the day with Sandie & Greg, capturing them in these beautiful natural areas. After they said I do Greg washed Sandie’s feet in the mountain stream and they celebrated with more portraits, a glass of champagne and wrapped themselves up in a Great Smoky Mountains National Park Pendleton blanket, a beautiful wedding gift. They ended their day with a dinner and weekend celebration at Blackberry Farm and then off to a Caribbean honeymoon. Officiant- Radiant Gatherings, Yacoubian Tailors, Pretty Little Papers, earrings and cuff bracelet by Michael Michaud, The Clay Pot Floral”

Smoky Mountain Elopement


In continuing with the mountain and nature theme, Sandie and Greg’s inviations featured the prettiest foraged foliage.


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Sandie’s boho-fabulous Alice + Olivia gown was so her! We loved the personalization this couple placed on their wedding day.


Smoky Mountain Wedding

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Now this is a first kiss… cue the ‘aaaaw’ …


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Greg washed Sandie’s feet in the mountain stream. We love this meaningful and traditional gesture of utmost respect and love.


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Pendleton Buffalo / Bison blankets

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Pendleton has proudly woven storytelling blankets for over a century, and one of our most important subjects is the American Buffalo, or American Plains Bison. The story of this majestic symbol of the American West is rife with controversy and tragedy, and its resurgence stands as an important step towards a new beginning.  You can read some of that history here: Buffalo History. You can read about the recovery efforts here: Buffalo recovery

Below are all our beautiful Buffalo/Bison blankets.

In Their Element

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Part of our Legendary Collection, and created in partnership with Jemez Pueblo artist Joe Toledo, this USA-made wool blanket is a true work of art. A watercolor painting by the artist is rendered beautifully in pure virgin wool that’s been dyed and expertly woven in our Northwest mills. The design represents the three elements: Earth, Air and Water. A herd of bison grazes on the Earth, offering prosperity and protection. A range of mountains stands behind, their snowy peaks covered with life-giving Water. Standing eagle feathers rise into the sky, joining together Earth, Water and Air. Joe Toledo is a respected watercolor artist who mixes rainwater into his paints.

Way of Life

ZL494-52352-Way-of-Life-Legendary-FrontAlso part of our Legendary Collections, this USA-made wool blanket was created in collaboration with Jim Yellowhawk, a member of the Cheyenne River Lakota Sioux Tribe. The hunter and the buffalo imagery on this blanket depicts life for many Plains tribes, reliant on every part of the buffalo for food, tepee covers, shields, arrowhead and even soap. The tepees, in multiples of four, signify the four winds. The symmetrical design reflects the world above and below, as well as night and day. The purposeful design pays tribute to life in Pte Oyate, the Buffalo Nation.

 

 

Big Medicine

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The rare white bison occurs only once in every 10 million births. In 1933, a white buffalo was born in the wild on Montana’s Flathead Indian Reservation and was called “Big Medicine” to reflect his sacred power. Many Native American tribes consider the return of the White Buffalo the fulfillment of an ancient prophecy and the beginning of a new era for the peoples and Mother Earth. Tradition spoke of the coming of a herd of pure White Buffalo. The seven bison on this blanket represent the seven directions: North, South, East, West, Above, Below and Within. Together they symbolize wholeness for mankind and the earth. Prayer pipes signify mankind’s communication with the Creator. In the center of the blanket, within the circle of life, are four hands representing the diverse peoples of the world and a new beginning. Shades of brown and green reflect the natural beauty of Mother Earth.

We have been asked over the years if this blanket contains real white buffalo hair. There was a VERY limited edition of this blanket woven with the hair of a rare white buffalo (and those will have a special patch to identify them) produced in 2010. Sales of the blanket helped benefit a nonprofit that, among other endeavors, funded the buffalo sanctuary where a rare white buffalo lived. You can read about that here: White Buffalo Blanket

Buffalo Roam

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These deft and natural studies of the bison mark “Buffalo Roam” as another design by Native American watercolor artist Joe Toledo, of the Jemez Pueblo. The buffalo was revered by many Native American tribes. The meat gave them food. The hides provided robes for warmth, tepee covers for shelter and shields for protection. Horns were crafted into bowls and arrowheads, and fat was rendered for candles and soap. The Buffalo Roam blanket captures the power of that mighty beast of the plains. The design puts the sacred buffalo in perspective. Looming large in close-up and appearing smaller in the distance, it was ever present in the lives of the Plains Indians. Mr. Toledo mixes soft rainwater with his colors to reflect images from his culture. His works are exhibited in collections in the United States, Canada and Europe.

Buffalo Wilderness

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The Buffalo Wilderness design recalls a peaceful time long, long ago. It was the time when millions of buffalo roamed grassy plains from Oregon to the Great Lakes, from Canada to Mexico. Today our National Parks protect the wilderness, and the remaining buffalo there roam free. One of the largest herds (more than 4,000) of free-ranging wild buffalo lives in and around Yellowstone National Park. It is thought to be the only place in the United States where bison have lived continuously since prehistoric times. You can also see herds in Badlands, Grand Teton, Theodore Roosevelt and Wind Cave National Parks.

Prairie Rush Hour

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The bison, often referred to as the buffalo, is the largest land mammal in North America. A big buffalo can weigh a ton (2,000 pounds!) and stand six feet tall. And they can run as fast as 35 miles an hour. Long ago millions of these mighty buffalo roamed the plains, prairies and river valleys. It was a time when there were no houses on the hills. When countless forests were green and the trees grew tall. When deer grazed by mighty rivers. Today you can see wild buffalo only in our National Parks, where they are protected. You can see one of the largest herds of wild buffalo in the United States in Yellowstone National Park. A portion of the sales of this blanket are donated to the National Park Foundation to support projects in Yellowstone and Grand Canyon National Parks. The Prairie Rush Hour is a jacquard throw that measures 64″ x 64″.  This blanket is also available in crib-size.

Buffalo Creation Story

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Buffalo are not typically associated with Navajo culture. So when contemporary Navajo artist Andrew Hobson discovered a story of how the buffalo evolved in Navajo creation stories, he was fascinated. Hobson’s original painting of the Buffalo-Who-Never-Dies of the White Buffalo Tribe inspired this Pendleton blanket. In the tale, Buffalo became angry with Holy Man for having two buffalo women as his wives. Holy Man killed the angry buffalo with magic arrows and wands. But to his dismay, all the buffalos began to die. Then sad, Holy Man brought the buffalo back to life and showed him how to revive all the other buffalo. The central figure shows the angry buffalo fractured in pieces to symbolize his death and journey back to life. Four buffalo tribes are shown inside protective medicine hoops, and the four sacred mountain ranges of the Navajo surround the central buffalo. The artist frames the work in the abstract rainbow symbolizing his personal Yeii, or protective deity. This blanket is part of the Pendleton Legendary Series.

 

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Jessica Enjoys Pendleton Athleisure Wear–on sale May 1st & 2nd

Pendleton leisure/sleep/lounge wear is on sale today and tomorrow;  use code RELAX at checkout at www.pendleton-usa.com.

To show you our athleisure in action, here is Jessica Lindsey of Edge Movement Arts, posing near the St. Johns Bridge in Portland, Oregon. Along with the beautiful photos, Jessica talks about her path and her approach to teaching yoga. 

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I went through my initial yoga instructor certification and started teaching in 2008.  I had been practicing various forms yoga since 1999.  I initially started doing yoga after I tore my ACL in a dance performance and needed a gentle way to heal my body after I had surgery to repair it.  Yoga allowed me to slowly ease into finding movement and range of motion after months of limited mobility, muscle atrophy, and an abundance of scar tissue post-surgery.

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It was a slow process and I thought I was just doing it for the physical benefits at the time, but after each session I would feel so grounded and calm, like all the troubles of life and the world where somehow less significant or important.  That is what really convinced me that yoga was something that I needed to have in my life long-term. Yoga changed me physically – longer, leaner, and more flexible use of my muscles, but it was the changes in how I experienced the world in a more joyful and positive way that feel the most significant now.

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When I returned to my dance career I found that I had so much more awareness of what it meant to exist and be in my body, how to express with my body. As I went down the path of training to be a competitive ballroom dancer (or as we call it in the ballroom world, a “Dancesport Athlete”) I found yoga’s ability to create calm, centered energy helped to balance out the fire of being a competitive athlete.

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Dance is my expressing outwardly to the world – doing part, yoga is  my receiving, letting go and simply being part!  Or to put it more simply…. Dance is Doing, Yoga is Being!

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I draw from many different bodies of knowledge to influence what I offer to my students.  Sometimes a classic “yoga asana” or pose is in order, other times I draw from the Chinese energy meridian system, from fascial and kinesiological stretching techniques, and other times from my knowledge from years working in veterinary surgery and the biomechanics of mammalian injury and recovery.

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I am a body knowledge geek.  I can spend hours researched the interconnected relationships of why stretching your foot will make your shoulder feel better, or why that tender spot on your thigh could mean that your liver is out of balance.  The body is this beautiful puzzle and each person’s life experiences have shaped every inch of the person I see standing before me in a group class or a private session.

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I recognize that no two people are the same and that no single variation of a pose is going to work for everyone.  How could it? No one else has lived the life you have lived in the exact beautiful, crazy, messy way that you have.  I honor that, see that, and try to the best of my ability to create an environment and a practice that lets my students own their personal freedom to choose what is right for them.

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The most important aspects of how I decided what to wear when doing yoga are in no particular order:

Do I look good in it? By that I mean that when I look in the mirror I feel it is flattering  and makes me feel good about myself.

Does it move well with me? there is nothing worse then a pair of yoga pants that feel like they are falling down or do not give me full range of motion. So really good stretch and cut are important.

Is the fabric comfortable and breathable and odor-resistant? Since I am physically active all day long in my professional life, it is so important that my clothing feels nice to exist in, and that it stays fresh all day long.

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Great yoga clothing needs to be multipurpose. My favorite items are those that look good, feel good, and fit well not only during my practice, but when I greet new clients, and then go have a meal with friends.

Our men’s sleepwear and athleisure is available with the same discount: use the code RELAX at pendleton-usa.com.

Enjoy your week, and relax.

 

 

 

National Tartan Day–it’s here!

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Ed. Note: Please enjoy a post on National Tartan Day, parts of which have appeared before on our blog.

Thursday, April 6th is National Tartan Day. Some of our readers live, breathe, eat and sleep tartans. They are steeped in their clan histories. They know the difference between the ancient, dress, hunting and standard versions of their clan’s tartan. But other readers aren’t quite sure of what exactly makes a tartan a tartan. How does a tartan differ from any other plaid?

We say it best with the title of one of our most popular Pinterest boards: All tartans are plaids, but not all plaids are tartans. A tartan looks like a plaid, but it is so much more than that.  A tartan is a statement of identity. Tartans were originally regional designs, worn as “plaids,” pieces of fabric worn slung over the shoulder. Scotland’s warriors wore their plaids with pride to announce their family affiliations and political loyalties.

The Dress Act of 1746 was enacted to prohibit the wearing of the plaid, as part of colonial suppression of the Highlands: That from and after the first day of August, One thousand, seven hundred and forty-six, no man or boy within that part of Britain called Scotland, other than such as shall be employed as Officers and Soldiers in His Majesty’s Forces, shall, on any pretext whatever, wear or put on the clothes commonly called Highland clothes (that is to say) the Plaid, Philabeg, or little Kilt, Trowse, Shoulder-belts, or any part whatever of what peculiarly belongs to the Highland Garb; and that no tartan or party-coloured plaid of stuff shall be used for Great Coats or upper coats, and if any such person shall presume after the said first day of August, to wear or put on the aforesaid garment or any part of them, every such person so offending … For the first offence,shall be liable to be imprisoned for 6 months, and on the second offence, to be transported to any of His Majesty’s plantations beyond the seas, there to remain for the space of seven years.

That’s right, tartans were illegal; inflammatory and subversive. If you’re not a history buff, but you watch Outlander , you already know this.

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Photo courtesy Sony Pictures TelevisionLeft Bank PicturesStarz

In 1782, the Dress Act was repealed through the following proclamation: Listen Men. This is bringing before all the Sons of the Gael, the King and Parliament of Britain have forever abolished the act against the Highland Dress; which came down to the Clans from the beginning of the world to the year 1746. This must bring great joy to every Highland Heart. You are no longer bound down to the unmanly dress of the Lowlander. This is declaring to every Man, young and old, simple and gentle, that they may after this put on and wear the Truis, the Little Kilt, the Coat, and the Striped Hose, as also the Belted Plaid, without fear of the Law of the Realm or the spite of the enemies.

When the Dress Act was repealed in 1782, tartans were no longer worn as ordinary Highland dress. They were adopted as the official national dress of Scotland. Tartan grew from regional plaid to warrior garb to a badge of kinship.  These patterns are a visual illustration of the bond between personal and political freedom.

We’re not tartan experts at Pendleton, just fabric experts. When we we use these designs, we do it with respect for the history of the design we’re using. Our designers refer to rare reference books stored under archival conditions in our design department (please don’t ask to see them because they will not hold up to visitors, we have to say no). We also use modern tartans, like Canada’s Maple Leaf, and our own Pendleton Hunting Tartan, registered with the Scottish Tartan Society in 1999.

Tartans have been part of the Pendleton offering since our earliest days, beginning with our motor robes. We call them that because we originally wove them to cover the laps of motorists in the earliest days of the automobile.

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We’ve been making tartan shirts, Topsters, motoring caps and robes for men since the 1920s. Women have always been part of the Pendleton tartan action, as well. Today, tartans have taken fashion by storm, because these patterns are timeless, we return to them.

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If you’re wanting to add tartan, but you’re not sure where to start, try Black Watch tartan, the tartan designed to look black from a distance (pictured is a vintage Pendleton shirt, get a new one from us here — or here, if you want a Sir Pendleton!).

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This is also known at the Government or 42nd tartan, developed to wear by the Black Watch, one of the early Highland Independent Companies. From a distance, the pattern reads black. It’s the stealth tartan. Around here, we call it Highland Camo, and though it’s one of our perennial bestsellers, it’s a challenge to photograph for a catalog. But we do, as you can see if you pay us a visit at pendleton-usa.com. We have tartan items galore for women, men, and home.

We hope your National Tartan Day is a good one, and remember: Wear Your Plaid With Pride.