The first inhabitants of California’s Point Reyes were the peaceful Coast Miwok, who lived in harmony with the seasons through gathering, fishing and hunting. Spring brought roots, bulbs, nettles, clover and lettuce, and beaches full of kelp. In summer, grasses and flowers surrendered their ripe seeds. Fall brought nuts, buckeye, bay and hazel. Trapping and arrow hunting brought in forest birds, rabbits and deer. Dip net fishing and shellfish harvest provided food year round. The Coast Miwok also used Nature’s gifts as builders and artisans. They fashioned highly sought-after trade beads from empty shells, and elaborate crown-style headdresses made from flicker, the long, narrow flight feathers of a birdwing.
To see one of these beautiful headdresses, we suggest you visit the site of photographer Lee Rentz: Miwok headdress
Falcon Cove is a hidden beach on Oregon’s coastline.
This secluded spot is home to “Magic Rocks Beach,” where ocean-tumbled stones make a rumbling music when washed by the tides. The natural hues of sand, grasses and seaside bluffs are arranged in a balanced pattern that represents the harmony of this beautiful stretch of coastline, where thousands of birds nest each year. This misty, rain-washed country is the traditional home of the Clatsop peoples, one of the many coastal tribes that lived where the Columbia River meets the Pacific Ocean.
If a beautiful Pendleton blanket is part of your plan to celebrate and commemorate the upcoming full solar eclipse, we are here with some suggestions! We’ve been weaving blankets that tell stories for over a century, and some of our most beautiful designs celebrate the night skies. All of these wool blankets are made in the USA.
Here are our Sky Stories.
Night falls as dancers gather on the Square Ground for the Stomp Dance, performed by many tribes: Caddo, Seneca, Muskogee, Cherokee, Shawnee, Seminole and more. Against the dark blue of the night sky, the bright flames of the ceremonial fire rise. Mother Fire is considered a sacred being who watches over the dancers and receives their songs and prayers. The Chief calls upon his medicine man and speaker to help him lead this sacred gathering. Men take their places in arbors built facing each of the Four Directions. With traditional and treasured turtle-shell rattles fastened to their legs, dancers begin their shuffle and stomp. Strong medicine and the repetitive steps of the Stomp Dance lead them to an inspirited, meditative state. The night echoes with the haunting call and response of their special songs. The Stomp Dance lasts until morning arrives to fill the sky with colors of Dawn.
Full Moon Lodge
This design was created in partnership with Muscogee Creek artist Starr Hardridge, and is part of our Legendary Collection. This design illustrates the relationship between humankind, Mother Nature and the creator of the universe, whose medicine is love. It acknowledges our place between the sun and the full moon. Full Moon Lodge is part of our Legendary Collection, which honors stories and symbols of Native American cultures.
This is a vintage design from 1923, the heyday of trade blanket production. Dazzling colors and geometric designs tell a story. Arrows symbolize the paths of life and power. Stars centered in squares echo the bright Morning Star, a spirit honored by many pueblo dwellers. This blanket is part of our Heritage Collection.
High atop the Big Horn Range in Wyoming sits one of the best-known medicine wheels or sacred hoops. This spoked circle of stones was created by Plains Indians between 300 and 800 years ago. Astronomers have noted that during the summer solstice, the spokes of the wheel point to the rising and setting of the sun, and four bright stars, a discovery celebrated by astronomers.
The Northern Lights are as mysterious as they are glorious. Native legends offer intriguing explanations for these shining bands of transparent color that dance across the night skies. To the Fox tribe of Wisconsin, the lights were an omen of war, spirits of enemies rising up to do battle again. To their neighbors, the Menominee tribe, the lights belonged to torches carried by the manabai’wok, giant spirits of hunters and fishermen that were out spearing fish. Northern lights are most visible at midnight in the extreme north, and occasionally seen as far south as America’s Gulf Coast.
The Gatekeeper is an original Pendleton design from 1935. This USA-made wool blanket is a beautiful example of a Center Point pattern, which contains a primary design element that falls within a band through the center of the blanket. The eight-point star is a common motif in Sioux culture and often represents the morning star, signifying a new beginning with the break of dawn. As gatekeeper of the morning, it shows the way to the light and knowledge of the day.
Star of the sea, or Stella Maris, represents the guiding presence of the North Star. As a ‘pole star,’ it shines an abiding light by which sailors have navigated for as long as man has traveled the sea. The graduated palette of indigo, lapis, turquoise and ivory unfolds in a dynamic chevron pattern that evokes the emanation of starlight in the night sky, recalling the traditional craft of Star Quilts. Designer Alyssa Pheobus Mumtaz is an American artist known for her multimedia drawing practice, inspired by iconography of traditional textiles. Her work is exhibited worldwide and recognized by numerous fellowships and grants.
This dynamic blanket celebrates the pioneering spirit of our founder, weaver Thomas Kay, who journeyed to America from England, arriving in Oregon in 1863. Its design was inspired by a blanket discovered in a 19th-century European mill which included the designer’s notes and calculations handwritten neatly along the sides. The pattern highlights the universal appeal of geometric shapes and lines. The hooked patterns inside the large diamonds are common symbols of luck and prosperity. Its quality and beauty is a tribute to the generations of weavers that have continued Thomas Kay’s legacy of quality and excellence.
We’re having a gift card giveaway on Instagram over the weekend–starting tomorrow. If you win, which blanket would you choose?
Pendleton has proudly woven storytelling blankets for over a century, and one of our most important subjects is the American Buffalo, or American Plains Bison. The story of this majestic symbol of the American West is rife with controversy and tragedy, and its resurgence stands as an important step towards a new beginning.
Part of our Legendary Collection, and created in partnership with Jemez Pueblo artist Joe Toledo, this USA-made wool blanket is a true work of art. A watercolor painting by the artist is rendered beautifully in pure virgin wool that’s been dyed and expertly woven in our Northwest mills. The design represents the three elements: Earth, Air and Water. A herd of bison grazes on the Earth, offering prosperity and protection. A range of mountains stands behind, their snowy peaks covered with life-giving Water. Standing eagle feathers rise into the sky, joining together Earth, Water and Air. Joe Toledo is a respected watercolor artist who mixes rainwater into his paints.
Way of Life
Also part of our Legendary Collections, this USA-made wool blanket was created in collaboration with Jim Yellowhawk, a member of the Cheyenne River Lakota Sioux Tribe. The hunter and the buffalo imagery on this blanket depicts life for many Plains tribes, reliant on every part of the buffalo for food, tepee covers, shields, arrowhead and even soap. The tepees, in multiples of four, signify the four winds. The symmetrical design reflects the world above and below, as well as night and day. The purposeful design pays tribute to life in Pte Oyate, the Buffalo Nation.
The rare white bison occurs only once in every 10 million births. In 1933, a white buffalo was born in the wild on Montana’s Flathead Indian Reservation and was called “Big Medicine” to reflect his sacred power. Many Native American tribes consider the return of the White Buffalo the fulfillment of an ancient prophecy and the beginning of a new era for the peoples and Mother Earth. Tradition spoke of the coming of a herd of pure White Buffalo. The seven bison on this blanket represent the seven directions: North, South, East, West, Above, Below and Within. Together they symbolize wholeness for mankind and the earth. Prayer pipes signify mankind’s communication with the Creator. In the center of the blanket, within the circle of life, are four hands representing the diverse peoples of the world and a new beginning. Shades of brown and green reflect the natural beauty of Mother Earth.
We have been asked over the years if this blanket contains real white buffalo hair. There was a VERY limited edition of this blanket woven with the hair of a rare white buffalo (and those will have a special patch to identify them) produced in 2010. Sales of the blanket helped benefit a nonprofit that, among other endeavors, funded the buffalo sanctuary where a rare white buffalo lived.
These deft and natural studies of the bison mark “Buffalo Roam” as another design by Native American watercolor artist Joe Toledo, of the Jemez Pueblo. The buffalo was revered by many Native American tribes. The meat gave them food. The hides provided robes for warmth, tepee covers for shelter and shields for protection. Horns were crafted into bowls and arrowheads, and fat was rendered for candles and soap. The Buffalo Roam blanket captures the power of that mighty beast of the plains. The design puts the sacred buffalo in perspective. Looming large in close-up and appearing smaller in the distance, it was ever present in the lives of the Plains Indians. Mr. Toledo mixes soft rainwater with his colors to reflect images from his culture. His works are exhibited in collections in the United States, Canada and Europe.
The Buffalo Wilderness design recalls a peaceful time long, long ago. It was the time when millions of buffalo roamed grassy plains from Oregon to the Great Lakes, from Canada to Mexico. Today our National Parks protect the wilderness, and the remaining buffalo there roam free. One of the largest herds (more than 4,000) of free-ranging wild buffalo lives in and around Yellowstone National Park. It is thought to be the only place in the United States where bison have lived continuously since prehistoric times. You can also see herds in Badlands, Grand Teton, Theodore Roosevelt and Wind Cave National Parks.
Prairie Rush Hour
The bison, often referred to as the buffalo, is the largest land mammal in North America. A big buffalo can weigh a ton (2,000 pounds!) and stand six feet tall. And they can run as fast as 35 miles an hour. Long ago millions of these mighty buffalo roamed the plains, prairies and river valleys. It was a time when there were no houses on the hills. When countless forests were green and the trees grew tall. When deer grazed by mighty rivers. Today you can see wild buffalo only in our National Parks, where they are protected. You can see one of the largest herds of wild buffalo in the United States in Yellowstone National Park. The Prairie Rush Hour is a jacquard throw that measures 64″ x 64″. This blanket is also available in crib-size.
Buffalo Creation Story
Buffalo are not typically associated with Navajo culture. So when contemporary Navajo artist Andrew Hobson discovered a story of how the buffalo evolved in Navajo creation stories, he was fascinated. Hobson’s original painting of the Buffalo-Who-Never-Dies of the White Buffalo Tribe inspired this Pendleton blanket. In the tale, Buffalo became angry with Holy Man for having two buffalo women as his wives. Holy Man killed the angry buffalo with magic arrows and wands. But to his dismay, all the buffalos began to die. Then sad, Holy Man brought the buffalo back to life and showed him how to revive all the other buffalo. The central figure shows the angry buffalo fractured in pieces to symbolize his death and journey back to life. Four buffalo tribes are shown inside protective medicine hoops, and the four sacred mountain ranges of the Navajo surround the central buffalo. The artist frames the work in the abstract rainbow symbolizing his personal Yeii, or protective deity. This blanket is part of the Pendleton Legendary Series.
We’re proud to show off our newest collaboration with Kitsbow: the Icon shirt for 2016. This shirt is a marriage of wool, Nature’s first technical fabric, with Schoeller 3X Dry panels.
Icon shirt features
articulated sleeves and cuffs to create an adapted fit ready for riding
Classic menswear styling
Perforated stretch gussets at shoulders for increased mobility and ventilation both on and off the bike
Laser cut 3X Dry Schoeller panels strategically placed over shoulders and elbows for abrasion resistance
Pendleton Wool woven in Washougal, Washington
Leather label with hand-branded logo
This shirt happens to be Men’s Journal’s pick for best cycling shirt.
Here’s what they’re saying about it: “This Pendleton wool flannel shirt has been in Kitsbow’s lineup for a few years now and during testing it’s proven rugged both while commuting and as an excellent piece for hiking and even as an apres-ski shirt. The USA-woven wool is naturally wind- and water-resistant, and a lot warmer than cotton flannel. Kitsbow adds venting and articulation at the backs of the shoulders, as well as subtle patching at the shoulders and elbows, the better to protect against abrasion if you decide to ride singletrack in the Icon. For us the best application though has been as an everyday piece that flows seamlessly between commuting, coffee shop runs, and weekends chopping wood to build a bonfire.”
Just a note, here. Kitsbow chooses the fabrics for these shirts. It never fails that when presented with the full array of our Umatilla wool plaids, they choose the very best of the classic Pendleton plaids. So go see the full selection at Kitsbow.com .
Thanks to Kitsbow for all photography. Now get out there and ride!
The Rocky Mountain range stretches for over 3,000 miles, from New Mexico to the northernmost reaches of British Columbia.
Rocky Mountain National Park is one of many national parks in the range; in Canada, Banff, Jasper, Kootenay and Yoho; on the US side, Yellowstone, Grand Teton, Glacier and more.
Rocky Mountain National park was dedicated on September 4, 1915, and became America’s tenth national park. At 14,259, it was also America’s highest. That has changed in 101 years. Currently, it’s one of the five highest parks in the lower 48, because Denali beats everything, obviously.
Rocky Mountain is still one of the America’s largest parks, at 416 square miles and 265,769 acres of wilderness. It hosts over three million visitors per year. Motorists enjoy traversing the highest paved road in America.
Hikers, campers and climbers are drawn by its 35 trailheads, 260 miles of horse trails, and the gorgeous waterfalls that tumble through the park’s almost 500 miles of streams and creeks, including the headwaters of the Colorado River.
Those are some impressive numbers. But the park’s visual splendor is even more impressive.
Since a quarter of the park’s land is above the treeline, it offers a rare chance to experience the alpine wilderness. Wildlife is abundant and varied, with 280 species of birds and 60 types of mammals, including moose, elk, black bears, mountain goats, mule deer, the ever-present coyote and the famed bighorn sheep. These massive (non-wool producing) sheep have become symbols of the park.
That’s why they are featured on the Pendleton blanket label, shown here on the coffee cup.
And here’s the blanket:
Rocky Mountain National Park
Blanket: Colorado’s Rocky Mountain ecosystem rises from lush grassland and forests to sub-alpine, alpine and barren alpine tundra in blue, green, gold and grey stripes.
Label: Bighorn sheep bask in the sunny lowlands, reintroduced after near-extinction.
Kate Rolston Photography
Our #pendle10explorer Kate Rolston did a breathtaking job of taking our Rocky Mountain National Park blanket home to its park.
Our favorite New York-based, western USA-raised designer has once again taken beautiful Pendleton blankets and transformed them as only she can. With careful attention to the play of each blanket’s patterns, she’s created magic. We’ve linked to the blanket used in each cape so you can see them flat, and truly appreciate what she does. The cape above is made from a Spirit Guide blanket.
Above, a cape made with J. Capps & Sons Tribute #7.
The cape above is made from the gorgeous Stella Maris blanket, designed by artist Alyssa Pheobus.
The capes above and below are made with the Sky Walkers blanket, which celebrates the Mohawk ironworkers responsible for so many of our country’s urban skylines.
See more here
As worn by celebrities and fashion devotees across the world, Lindsey’s capes are available at www.lindseythornburg.com .
Ed. note–For Labor Day, we bring you stories by those who work for us day and and day out. Their employment with out company ranges from one to fifty years. The video above, filmed in one of our union mills, is by Jay Carroll (thanks, Jay).
Amanda Coppa—Product Manager, Home Division—July 2007 through present
My career experience at Pendleton has been an excellent and unique one. In nearly nine years with the Home Division I have continually evolved my position. Starting as the Home Merchandise coordinator and today I manage all the in-line and custom/collaboration Product Development for the division. I feel very fortunate to have a role where every day I am doing something different. When I started I was told I would be wearing a lot of hats. I’ve always found this appealing in a job and wouldn’t have it any other way. I’m fortunate to work for a boss that has much confidence in our abilities and vision.
In addition to exploring new product categories, I love working on the custom and collaboration blanket and fabric developments. I am the liaison between the partner (Levis, UGG, Nike, Ace Hotel, Subaru and Poler for example) and our internal Pendleton teams – Fabric Design, Production and Sales. From a custom blanket or fabric to a hooded Poncho towel I handle the process from concept to production set-up. Another exciting part of my position is traveling to accounts for sales calls and tradeshows. This has taken me to many big cities, but also some places I never thought I would go… Dodgeville, WI – High Point, NC – Buffalo, NY.
One of the reasons I enjoy working here the most is my team I spend each and every day with. We not only do good work, we have fun doing it. I have quite a few great Pendleton memories, but the top three would be managing the Star Wars project, my first inspiration trip to the Southwest and the 2009 Sales Meeting in Pendleton, OR to celebrate our centennial. I know I’m in the right place and speak enthusiastically about my career when my 3 year old son already has a passion for what I do and had decided his first dog’s name is going to be “Pendleton”.
Brooke Myers—Retail Store Associate, Lancaster, PA—2015 through present
When I was younger, I did not necessarily see myself working in retail. As most children do, I saw myself doing something big – something exciting, something that would keep me on my toes and intrigue me every day. These descriptions usually do not come to mind when one says they work in retail. Working for Pendleton Woolen Mills has been a completely different experience. Who would have thought that you could be not only a salesperson, a manager; but also a historian, an explorer, and lastly a valued member of a family – not just another employee? My experience working for Pendleton has not been an ordinary one and I mean that in the best way possible.
Rich in history and heritage, the story of this company has captivated me from the beginning. Every day that I come to work I am eager to find out more. From its origins in North American exploration, Native American trade and legend, to the evolution of men’s and women’s fashion and style, the Pendleton story is not one easily forgotten. It brings me so much fulfillment to learn about the roots of this company and share the many stories of our past with others.
Another component of the multi-faceted brand of Pendleton that continues to make every day of work rewarding is the emphasis and dedication to our National Parks. By creating excitement through product and educating others about our parks, we are not only contributing to our parks monetarily but cultivating an environment that stresses the importance of the preservation and protection of our beautiful country.
Since I have started working for Pendleton Woolen Mills a little over a year ago, I can confidently say that I am now intertwined and attached to the history, craftsmanship, and uniqueness of this company. It makes my job easier knowing that I am part of a family that is dedicated to not only their brand and product, but also their employees and customers.
Lakshmi Sylvie Dady—2015 through 2016
Pendleton has been a part of my family since we migrated to this country from Guyana, South America two generations ago. It has been a great joy to continue the family tradition of working in textiles and fashion as a Pendleton employee. Although I am new to the company, the brand has a rich history that transcends corporate identity and is part of my family’s story.
Having owned her own accessory company in Guyana, South America, my German-born grandmother was immediately drawn to the Pendleton brand upon her arrival to Milwaukie, Oregon. She encouraged my mother to get an after school job in the Pendleton mill near their home. My mother, then a mere 16 years of age, quickly learned the hard work that goes into producing the high quality Pendleton products our family coveted. Mama went on to a career in nursing and eventually followed in her mother’s footsteps of owning her own company, manufacturing fashion forward scrubs called “It’s What’s on the Inside that Counts.” Surely her humble beginnings in the mill helped build the foundation for creating her own textile business years later.
Growing up in the Northwest, Pendleton is as much a part of being an Oregonian as is relishing the rain. From my Native best friend whose parents draped themselves and their home in the rich colors and patterns of Pendleton to receiving a full outfit from the company as a Rose Festival Princess in 2009, Pendleton patterns are the unofficial flag of this fine state. Going into the corporate office to get custom fitted for my Pendleton outfit as Cleveland High Schools Rose Festival Princess remains a highlight of my experience on the court. I still relish my sesquicentennial ‘Spirit of the People’ patterned skirt, glass case, notebook cover and purse gifted by the company. The company went so far as to sew custom labels with our title and name onto our skirts, I smile every time I see my “Princess Sylvie” tag.
My love for this brand has only grown over time and gifts from it continue to be highly valued amongst my family. Upon my return to Portland after 7 years away for undergrad and graduate school, I was thrilled to see a position open at the Pendleton store at the Portland International Airport. I’ve been with the company since March, 2016 and thoroughly enjoy continuing the family tradition of working for America’s greatest woolen mill.
It’s been a pleasure reflecting on my Pendleton story and I hope you feel inspired to continue creating yours.
Verna J. Ashton—1966 through 2016 with assistance to:
Strategical Services Head, Ed Pedley
Fabric Design Dept. Head, John Jouret
Presidents C.M. Bishop, Jr. and C.M. Bishop III
Although the scrapbooks confirm a mid-60’s employment record with Pendleton Woolen Mills, my personal connection begins a few years earlier. When I met my future husband, Richard Ashton, at High School, his father, Howard Ashton, worked for the Bureau of U.S. Customs and his office just happened to be located on the 2nd floor, NE corner of the old / former US. Custom’s Building directly across the street West of the current Pendleton Building (if he were still there, my office window would have looked directly into his!). He often told us of his travels for the day and related several times when he was assigned to go to the docks to inspect bales of wool being brought into the country from Australia or New Zealand to be delivered to Pendleton’s Columbia Wool Scouring Plant – beginning the process of becoming fine woolen fabrics. Additionally, my future Mother-in-law, Marion Ashton, worked as a spinner at Pendleton’s Foundation Factory Plant and it was there that she obtained fabrics for hand-sewn shirts for her son and gave me the remnants so I could make matching garments. Our matching outfits were always commented on at school and especially the red/black plaids worn on “spirit day” as those were our school colors.
Connections first through the Ashton family, and yes, Richard too was employed summers and even refinished the wood floors in the Foundation Plant along with the Brot Bishop boys; but it was through my sister, Malinda Pfeifle Staples, that I became acquainted with Pendleton as my employer as she held the secretary position under Ed Pedley in Statistical Services. In April 1966 I had a choice to make – either continue studies at Portland State College or take the offer at Pendleton to work for Mr. Pedley – my sister was leaving to begin her family. Thus began a life journey that though the formal career has now officially concluded with retirement on April 29th, I am in the finishing room. The friendships, relationships, business associations and memories are completing my life-story tapestry by attaching the binding edges.
My story begins with being honored to meet and know C. M. Bishop until his passing in 1969; a never-to-be forgotten innocent and embarrassing blunder voiced during a National Sales Meeting at Salishan Lodge (Coffee, Tea or… how does that go?!); Shorthand learned in High School proved invaluable when asked to take notes from the Ambassador to Romania (Alan Green) while vising with his friend C. M. Bishop, Jr.; Sitting at the feet of Ms. Pat Mitchell (who had been secretary to C. M. Bishop) learning valuable history, skills and understanding. Pat will celebrate 107 years of life this August; Letters and phone calls to our Nation’s President George Bush (the elder Bush) as well as many other US Representatives, State Governors and political figures who were friends to the Bishop family; Assisting Portland’s current First Lady, Nancy Hales, in her mission for Pendleton gifts to take abroad for government dignitaries on the Mayor’s travels, and garments to wear herself – a true Pendleton Ambassador; Relationships with Round-Up personalities, Queen Whitney White in 2007, Native American Elders…
But long before hearing Mr. B’s (C.M. Bishop, Jr.) 1993 corporate speech quoting a 1941 inscription written to him by his Father, C. M. Bishop, on the flyleaf of his co-authored book “Pioneer Woolen Mills in Oregon,” I felt and experienced these words “… the best inheritance to receive or to leave is a good name” lived out not only through the Bishop men and Management of the Company, but also every one of the women – wives, aunts, sisters, and daughters – in their consistent and constant sweet spirits, graciousness and courtesies. “ I subscribe to a belief that as Pendleton has been blessed with the ability to create through the woven thread beautiful fabrics and designs that many covet, cherish and last a lifetime, God is weaving our life-story through our relationships and responses to His shuttle.
Pendleton Woolen Mills and the Bishop family have and are leaving that good name and reputation for future generations. Honesty, integrity, the Golden Rule standard are the legacy that keeps Pendleton great and America strong. God bless America and God bless Pendleton Woolen Mills. Cheers!
Each year, Pendleton does a robust custom blanket business for companies, tribes, artists and philanthropic organizations. These are definitely Pendleton blankets, but the entire production run is produced for (and belongs to) the client.
It’s a process to bring blankets to the loom. We have a special department that handles all the steps needed to bring a customer’s ideas to life. We help to translate design ideas into workable patterns that we can actually produce. We give advice on color and finishing, and create special labels that tell the story of the blanket.
This year, we were honored to produce custom blankets for two of our national parks. You read about the colorful new Yellowstone blanket earlier this summer. For Yosemite National Park, we produced a gorgeous blanket in black, cream and grey.
This design echoes the iconic black and white photography of Ansel Adams. This revered photographer’s work didn’t just immortalize nature. His work helped protect it, as well. You can read about his life here: ANSEL ADAMS and see some of his incredible work in this interview with his son.
Our Ambassadors Shots
Just as we did with the Yellowstone blanket, we sent the Yosemite blanket to three of our brand ambassadors. We wanted to see the blanket through their lenses. Their interpretations are beautiful and surprisingly different.
Kate Rolston took the blanket to the mountains:
Taylor Colson Horton & Cameron Powell took the blanket to the back yard:
And Bri Heiligenthal brought the blanket home:
Three different visions of one beautiful blanket. Thanks to our amazing photographers. Follow them on Instagram for more.
It is one of the most popular parks in America, and one of the very first of our national Treasures. And it is celebrating the centennial of the National Park Service with a new blanket, “The Spirit of America.” Welcome to Yellowstone!
We enlisted the help of three Pendleton brand ambassadors for the unveiling of the new Yellowstone National Park blanket, made by Pendleton and exclusively for sale through Yellowstone General Stores. The blanket features Yellowstone’s icons: Old Faithful and grazing bison.
We were blown away by the unique way each photographer showcased the color, pattern, borders, details and reverse of this outstanding blanket.
If your park plans don’t include Yellowstone this year, don’t worry; you can order the blanket online here: Yellowstone General Stores.
Delaware North hosted a fantastic event for the Yellowstone Park Foundation to unveil the new custom Pendleton blanket. The highlight of the evening was a generous donation Delaware North presented to the NPS—$20,000 to support the “Expedition Yellowstone” youth scholarship program. We share the following photos with their permission.
Also on hand was the Pendleton Airstream. Hundreds of people toured this deluxe custom collaboration, and the verdict was unanimous: “I want one!” Only 100 of these beauties were produced and they are going fast, so please contact your Airstream dealer for details.
This is the year to celebrate the centennial of our National Park Service through travel and exploration. Pendleton is honored to be part of the celebration. Your purchase from the Pendleton National Park Collection helps support the good work of the National Park Foundation, an organization that manages, protects and preserves America’s National Treasures for future generations.
Bring your Pendleton blanket and find a spot while it’s still dark. Watch the sky turn from black to deep blue as you listen to the calls of waking birds. Hear the rustle of ocean air as it raises waves to lap against the shoreline and skims through the forests of this peaceful paradise. Look to the distance, where the sky meets the Atlantic, and wait for the first rosy rays to brighten the horizon.
This is how you welcome daylight at Acadia National Park.
An Eastern Wonder
Acadia National Park is our easternmost national park. Its 47,000 acres reserve most of Mount Desert Island off the Atlantic Coast. Cadillac Mountain, named for French explorer Antoine Laumet de La Mothe, sieur de Cadillac, rises on the eastern side of the island. Its granite summit catches the first daylight in the continental United States each New Year’s Day.
Acadia National Park is part of the area known as the “Dawn land” by its original inhabitants, the Wabaniki people. A confederacy of five First Nations and Native American nations, the Wabaniki includes the Abenaki, Maliseet, Mi’maq, Passamaquoddy and Penobscot people. Ten thousand years before Mount Desert was sighted by Samuel de Champlain, these Algonquian-speaking natives lived in settlements along the Eastern seaboard.
Acadia’s Atlantic coast is a wonderland of ancient, lichen-covered boulders and rugged shoreline. President Woodrow Wilson established it as Sieur de Monts National Monument on July 8, 1916. On February 26, 1919, it was named Lafayette National Park. The name was changed to Acadia on January 19, 1929, to honor the former French colony of Acadia.
George W. Dorr is called the “father of Acadia National Park,” but its financial benefactor was definitely John D. Rockefeller, Jr. He paid to develop over 50 miles of gravel carriage trails, with features that include 17 granite bridges and two historic gate lodges that remain today. Along the paths are many cut granite “coping stones,” which act as rustic guardrails, and are known as “Rockefeller’s teeth.” The Rockefellers helped greatly with the reconstruction of the park after the wildfires of 1947, which destroyed over 10,000 acres.
Today, as one of the most-visited parks in the country, Acadia welcomes hikers and bicyclists to its trails. Forty different species of mammalian wildlife call Acadia home, including (from the small to the large) red and grey squirrels, chipmunks, white-tailed deer, beaver, porcupine, muskrat, foxes, coyotes, bobcats, black bear and moose. Acadia National Park is aided in preservation efforts by the Friends of Acadia, which has worked to create a private endowment that will maintain the current 44 mile carriage trail system in perpetuity.
Acadia National Park is waiting to welcome you, and the dawn, every morning.