The March 10th edition of Vancouver’s The Columbian profiled Pendleton’s Washougal, Washington mill. Reporter Cami Joner examines the key to Washougal’s longevity, remarking that “…The busy Washougal mill is evidence that textile manufacturing is not dead in America.” Read the full article here, and stay tuned for more as Washougal approaches its 100th anniversary of producing fine Pendleton textiles right here in the USA.
Posts tagged ‘made in the USA’
This weekend (starting March 3rd, 2012), collectors will have a chance to purchase Pendleton’s Vintage Collection Blankets at 20% off during the Retired Blanket Sale.
These blankets were introduced in 2008 to offer the aged allure of a vintage wool blanket to boutique customers and collectors.
Our 2008 wholesale catalog copy described the blankets: “At first glance, these lovely blankets seems to have been discovered in the hacienda of a beloved grandmother. But they are newly woven in our own Northwest woolen mills. The blankets reflect both our reverence for Pendleton history and the wealth of design inspiration in our design archives. We have given these fresh interpretations a luxurious finish with the rich patina of age – a fitting tribute to our heritage. The stonewashed, distressed surface lends the feeling of a well-loved and well cared for heirloom. The colors are softly muted and the hand is sumptuously soft.”
What these beautiful words can’t describe is the hard work, experimentation and sheer number of blankets that went into refining the “aging” of a Pendleton Vintage Collection blanket.
“We burned through so many of them!” says Robert Christnacht, the head of the Pendleton Home Division. “We wove and finished the blankets in our mills, minus any labels. Then we sent them to an outside commercial laundry, where they were washed and shrunk down to the right dimensions. It was a huge job to get the process right, because we wanted to take out a certain amount of color and we needed the right appearance and hand. Time after time, we’d pull a load of wool mush out of the machine. We’d have to start over.”
Barrett Christie is an accomplished athlete who has won more medals in the Winter X Games than any other female competitor. She competed in the 1998 Winter Olympics as part of the first US women’s snowboarding team. She oversees the design of women’s snowboards for Gnu Snowboards, including the Gnu Barrett Christy Pro Model, the most enduring women’s pro model snowboard on the market.
When Barrett needed an eye-catching graphic that still looked like a serious snowboard, she approached Pendleton. The result is our newest co-branding effort; a limited edition snowboard from GNU, featuring a graphic based on our Day of the Dead blanket. Every board comes with a specially labeled Day of the Dead blanket.
Life in the Pacific Northwest is very, very busy for Barrett. She’s a serious competitor and product developer, as well as a mom. But she recently found a little time to talk to us about the new design.
Karen: I’m sure you’re always looking for inspiration. What initially drew you to Pendleton?
Barrett: My husband I have a collection of Pendleton blankets we’ve won as prizes at the Mt. Baker Slalom. We’ve won a lot of races, so we’ve won a lot of blankets.
Along with springtime, the Northwest Flower & Garden Show is coming soon. From February 8th through 12th, the Washington State Convention Centerwill host a beautiful array of events and vendors.
The display gardens will be amazing!
Pendleton Woolen Mills has partnered with the show in supporting the Seattle Children’s Play Garden, through the sale of a special edition of our Counting Sheep blanket.
When an especially unique vintage Pendleton garment comes through our design areas, it can cause a stir. It’s like a new baby. People from other divisions come to visit, photos circulate in email, and everyone asks a lot of questions. What was it called? When was it made? And most importantly, what will we do with it?
A jacquard coat that came to the sewing room of the Men’s division was no exception. The Crossroads pattern was bold and dramatic, and the coloration was unique. Menswear decided to bring it back, so Fabric Design got to work redesigning and coloring the pattern. Womenswear and Home saw the possibilities…and that’s how a corporate jacquard is born.
From the sheep to the shelf, Pendleton Eco-Wise Wool® passes strict standards of sustainability and stewardship. That sounds admirable, doesn’t it? But those lofty words would mean nothing at all if Pendleton Eco-Wise Wool® products weren’t soft, richly colored and delightful to touch.
There are many, many products out there claiming to be green. Pendleton Eco-Wise Wool® has been Cradle to Cradle Certified© by MBDC, a respected product and process design firm dedicated to promoting sustainable production. If you’re curious, you can find out more here. The best way to explain it? If you were to take a Pendleton Eco-Wise Wool® blanket and bury it (but please don’t!), it would leave the earth better, not worse, for the addition.
Pendleton Eco-Wise Wool® is an innovation in the Umatilla wool we’ve woven for over a century that uses nontoxic biodegradable dyes. Pendleton is known for the depth and intensity of our colors. Vegetable dyes are not as stable as chemical dyes, and the formula took some tinkering, especially the red spectrum. But with a great deal of trial and a reasonable amount of error, we produced Pendleton Eco-Wise Wool® that we could guarantee for quality.
So maybe you want to wrap yourself up in environmental responsibility this year, or maybe you just want something beautiful, wooly and Pendleton. In either case, we have plenty to show you.
In the twenties, thirties and forties, movie theaters were packed with fans of America’s Sweetheart, Mary Pickford . But Mary Pickford was a big fan of Pendleton. Here she is in her fringed Harding blanket shawl. Mary Pickford was the golden child of early American cinema, though her reputation took a big hit when she scandalously cut off her trademark golden braids. She didn’t just act. She produced, wrote, directed and marketed her films, and was one of the co-founders of United Artists. Sadly, the advent of talkies ended her acting career. Apparently, hearing Mary Pickford speak was something like reading the Tweets of your favorite celebrities. Sometimes, silence is golden.
Anita Page is on the right, in a coat that will look familiar to those of you who have watched The Portland Collection video . In that, designer Rachel Turk is slipping on a coat similar to Ms. Page’s.