Posts from the ‘Made in the USA’ Category
Connie the Corgi is a blue-eyed charmer with his own Instagram account.
He has a true love of Pendleton.
He is a playful fellow.
And quite well-dressed in his flannel plaid.
When he is worn out, he appears to appreciate relaxing on Pendleton’s Made in the USA wool blankets.
Especially if Dad is around.
We think Connie looks like he’s a lot of fun.
Connie, thanks for your brand support. And go fetch that ball.
The Raven blanket is a fine example of Coast Indian artistic style. Here’s the legend behind the pattern:
North American Indian folklore reflects the many stories surrounding animal spirits. Every animal has a reason for existence and a legend of how and why they are on Mother Earth. Raven is the counterpart of Coyote. Even though Raven can be an expert trickster, often fooling other animals out of food or shelter, Raven can also be a friend when other animals need help. With sharp eyes, he has a keen skill of knowing when danger lurks. Raven identifies the danger and notifies all other animals in the desert or forest to be cautious or to hide. Raven is a solid reminder and teacher of the good versus evil and is always available if there is a decision to be made. The Blanket exemplifies the black colored feathers of Raven; the red color of potential danger that surrounds him. The blanket is bordered with the Sun, Moon and Stars that are celestial facets of Raven’s life.
Isn’t that amazing? Lindsey works with so many fabric artists to produce her line, and we are excited to be one of them. We hope you’re having a terrific December, and that you’re staying warm, wherever you are. Like Blake. Who is looking fabulous and staying warm in Pendleton wool.
This holiday season, Pendleton is proud to offer a limited edition of work by Tricia Langman, co-founder and design director of Spoogi, an international print design studio based on Portland, Oregon.
Tricia, a British textile designer with West African heritage, grew up in London surrounded by print and pattern. She’s a worldwide teacher of design and technique. She has designed and produced a unique collection for Pendleton Woolen Mills using traditional Batik techniques from Java, Indonesia.
She hand-dyes each blanket in her Portland, Oregon studio.
Pendleton is proud to offer these works of art in very limited editions, each numbered and signed by the artist.
Levi’s© Made and Crafted™ collection for Fall 2014/Winter 2015 takes inspiration from the architecture of Seattle and Portland, two cities that inhabit the wild landscapes of the Pacific Northwest. Natural beauty is almost taken for granted here. Sometimes it takes appreciation from outside the area to help us remember the wonder of our region.
One city is built along Puget Sound, and the other is bisected by the Willamette River and bordered by the mighty Columbia. The Cascade Mountains tower behind the Seattle skyline, resembling clouds. Both cities sit near inactive volcanoes; Mt. Rainier and Mt. Hood. The designers for Levi’s have used this interplay of city and mountain, indoors and outdoors, old and new, to inspire their newest Made and Crafted™ collection. The silhouettes, texture and color palette reflect the natural and manmade beauty, with a nod to the Northern Lights for good measure.
Using these deep natural inspirations, Levi’s© has partnered with Pendleton Woolen Mills to portray the landscapes of the Pacific Northwest with shades of indigo to reflect Levi’s© rich history with denim.
This beautiful blanket is available at Pendleton-usa.com. We suggest you take it along on your next adventure.
Photos by Hunter Lawrence 2014©. All rights reserved by Pendleton Woolen Mills.
Pendleton’s Tamiami Trail blanket has been making some noise this year, showing up on the pages of Lucky:
That’s quite a bit of press for one blanket. People are responding to the intricate, colorful pattern, but there is a story behind the Tamiami Trail blanket. And it isn’t just a good story. It’s an amazing story about resourcefulness and creativity thriving in diaspora.
Tamiami Trail’s design is based on Seminole patchwork designs used in quilts and clothing. By the end of the Seminole Wars in 1858, the Seminole population of Florida was reduced from thousands to a few hundred. By the late 1800s, most had been driven out of Florida, but small bands remained in the Everglades and Big Cypress Swamp. Seminoles quietly retained their culture — farming, hunting alligators and visiting trading posts along the Miami River with pelts and egret plumes to trade for supplies. Their thatch-roofed homes were called chickees, and they traveled in dugout canoes made from cypress logs.
It was a long canoe trip from the Everglades to trade for cotton cloth. Seminole women began sewing with whatever materials and scraps they could find, including survey pennants, fabric selvedges and end-bolts. The patterns themselves tell stories. Click here to read about the symbology of these patterns. “Strip clothing” became the traditional dress for Seminole men and women.
The sewing machine became available to Seminole seamstresses around the end of the 19th century. “A sewing machine in every chickee” was the rallying cry. Seminole quilting evolved using ever-smaller and more intricate piecing.
In 1928 the Tamiami Trail, the highway from Tampa to Miami, opened. The Seminole saw new trade opportunities in the tourist market for crafts such as patchwork and palmetto dolls.
So yes, This is a beautiful blanket. But its design tells a larger story about a beautiful Seminole artistic tradition. Their entrepreneurial success along the Tamiami Trail is a testimony to Seminole resilience. Strip clothing is still made and worn today, and it’s every bit as beautiful.
Additional information here:
The Pendleton 49’er is a perfect illustration of the adage that quality never goes out of style.
This jacket is an American classic, still going strong after more than sixty years. But where did it come from?
The answer starts with the changes for women in World War II, when American women proclaimed, “We can do it.” Rosie the Riveter’s WWII image was used in countless posters and bond drives during WWII. A serious woman dressed for hard work with her hair in a kerchief, Rosie’s image still fixes us today, gazing out at onlookers over a flexed bicep.
She was a symbol of women stepping up to fill the need for factory workers during wartime, but she was also part of the emergence of one of Pendleton’s most enduring items of womenswear: the 49’er jacket.
Pendleton’s success with men’s shirts had happened twenty years earlier, but during WWII, men were not the only people enjoying distinctive plaids and ombres in pure virgin wool. Women began to borrow men’s work shirts for both work and warmth. It’s possible that by wearing their husband’s shirts, women kept the memories of their husbands, fiancés and brothers close, though many undoubtedly needed some serious work wear that was simply not available for women at the time. Whatever the reason, women loved Pendleton shirts.
In 1949, when market research identified an opportunity for sportswear for women, Pendleton entered the market with their first women’s line. This was a test offering of classic skirts, jackets and shirt, to test exactly how the American woman would react to a branded line of virgin wool sportswear. The positive response was resounding, but no one could have predicted the enormous success of a single garment introduced that year.
Says Linda Parker, head of Pendleton Communications, “The first women’s line in 1949 was composed of five items. It is amazing to me that out of such a limited initial offering that the 49’er would develop such an immediate following and reputation.” The jacket referred to both the year of its introduction, and the California Gold Rush, in a nod to Pendleton’s Western roots.
The designer was Berte Wiechmann, a young woman who came to Pendleton from Jantzen, another iconic Portland apparel company. Miss Wiechmann sewed the original samples herself, taking styling particulars from the Pendleton men’s shirt. The 49’er jacket featured discreet tucking at the yoke, and two bias-cut patch pockets near the hem. The boxy cut showcased Pendleton’s famous plaids, and larger iridescent shell buttons softened the look.
Miss Weichmann was very particular about these buttons. She insisted on a special black shell from Australia and Tahiti, supplied by J. Carnucci & Sons, NJ.
In 1956 alone, Pendleton would use $150,000.00 worth of these buttons.
Yes. You read that correctly. One hundred and fifty thousand dollars worth of buttons alone, in 1956.
The desirability of the 49’er was immediate, despite the introductory retail price range of $14.95 to $17.95. Says Parker, “We have many testimonials of how young women saved their babysitting and strawberry-picking money in order to buy a 49’er. Women everywhere had it on their wish list of gifts.” The first consumer was the collegiate girl, who were in the grips of a menswear inspired trend. The 49’er was perfect over a white cotton dress shirt over “trews,” narrow wool pants.
The first print ad for the 49’er ad was done by Fred Love in 1950. A college girl in a MacLamond tartan 49’er pretends to ignore the cartoonish interest of the college boy behind her, snug and stylish in her 49’er. Love continued to illustrate the ads through 1951, when famed illustrator Ted Rand took over the job of communicating the Pendleton 49’er with ads that are still iconically beautiful. He changed the focus from the teenager to the woman, and incorporated elements of the Western landscape when he could.
The 49’er’s simple, casual styling continued to be a perfect fit for the emerging suburban lifestyle of post-war America. During the post-war years, it served as one of the easiest solutions for outerwear over all the Baby Boom baby bumps. Parker explains, “I personally think that Ted Rand shares some of the kudos for making the 49’er a household name with his inspired illustrations.”
Ted Rand began illustrating Pendleton ads in 1953. His elegant women and echoes of the Western landscape moved the jacket from the campus to the suburbs, where it became the staple of a woman’s wardrobe. The popularity soared and knock-offs abounded, to the point where the company had to seek legal protection of the design. Yes, the 49’er is a patented jacket!
The earliest 49’er in the Pendleton archives is a red, yellow and chartreuse version owned by Mrs. Sarah Brourink, who sent it to our archives in the year 2000 after wearing it for 51 years. Here is a vintage example in the exact plaid.
In the years of its prime (1949-1961), over a million Pendleton 49’ers were sold to American women. And it continues to sell well now, after re-introduction in the early 2000s. Collectors still chase after the originals, and beautiful examples can be seen on elated bloggers. Our re-issues do extremely well whenever they are included in a Fall or Holiday line. Whether in the arresting brights of a bold Buchanan tartan, or the shaded colors of a subtle ombre plaid, the silhouette is still unmistakable. Still made of 100% virgin wool woven in our USA mills, the 49’er works dressed up with a skirt and a belt, or dressed down with jeans. Like a good wool men’s shirt, it serves as a go-to second layer for the backyard or the office.
And we’ve had a little fun with our original archival jacket. We brought it out, compared the specs, and refashioned the original design. Back in 1949 the collar points were a little more dramatic, the back shirring more subtle and the length slightly shorter—all details that give our fashion icon a decidedly modern edge and make it new again.
Fashion is fleeting, but style endures. The Pendleton 49’er is a perfect illustration of the adage that quality never goes out of style.
Editor’s note: This post is an update on a favorite post, just as the Nouveau ’49ers are updates to this classic jacket.
These shots came to our attention a little after the fact.
We’ve known Neil Young loved our shirts for a long time. We are honored to be used in a set that transported Neil’s rustic California vibe to the stage of the Wang Theater in Boston.
Editor’s note: Today’s blog post is brought to you by guest blogger Mark Poltorak, who manages the Pendleton employee store. Enjoy it!
Everyone who works at Pendleton’s corporate office has smelled it; that delicious odor of deep-fried donut batter as we leave the building and walk toward Burnside.
A line of patient patrons congests the sidewalks for what seems like 24 hours a day. We see the iconic pink boxes all over town, in the airport and on TV.
Established in 2003, Voodoo Doughnuts has become an iconic, must-see/eat in the “Keep Portland Weird” tourist scene. Now, Voodoo has asked Pendleton to create a Voodoo Doughnut blanket that will keep you as warm as those fresh out-of-the-fryer sugary treats.
The blanket features a detailed display of Voodoo icons. In the center, emerging from the center of the blanket (and a doughnut, of course), we are greeted by none other than Baron Samedi. Baron Samedi waits at the crossroads between the worlds of the living and the deceased. He is armed with a shovel and eager to dig the graves and greet the souls of the newly departed. It is rumored that Baron Samedi can be brought to a swoon with treats (such as doughnuts!).
A comforting sight to balance the grim aura of Baron is the impressive spread of Voodoo’s bread and butter: the doughnuts! Fans of Voodoo will find all their bizarre but delicious favorites: the McMinnville Cream, Neapolitan, Diablos Rex, Sprinkle, Bacon Maple Bar, Portland Cream and Triple Chocolate.
Of course, the blanket wouldn’t be complete without a representation of the most iconic Voodoo doughnut of all! The Voodoo Doll doughnut is featured multiple times.
Long after Baron has claimed us all for his own keeping, this eerie blanket will keep you warm. Be on the lookout for one at the Voodoo Doughnut site. And remember, “The Magic is in the Hole.”
We’re fans of the stirring photography of the Thomas Kay line for men (from Pendleton Woolen Mills) in the Fall quarterly issue of Man of the World.
Yes, we know, it’s so artfully packed over there on the right side that you almost can’t see it, but we like the shot anyway. There’s nothing quite like camping with wool.
“The Big Sky State” captures Montana style with our Thomas Kay Oliver shirt in Macrae Ancient Dress Tartan.
A pickup truck, a good dog and a Pendleton wool shirt. What more could you ask for? Besides that awesome tractor. These are great Big Sky shots from a beautiful publication. Pick up your copy and marvel.
You can check out the rest of the Thomas Kay line here.