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Posts from the ‘Made in the USA’ Category

In Other Style News: Blake Lively in Lindsey Thornburg x Pendleton Cape

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Yes, that’s the beautiful Blake Lively in a Lindsey Thornburg cloak! Our Tamiami Trail blanket makes a beautiful outerwear piece.

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Blake Lively, fashion icon, offered this cloak on her Preserve.us website, but it appears to be sold out. Check Lindsey’s website! And be sure to read about Lindsey Thornburg’s inspirations on our blog. Her beautiful cloaks are dramatic innovations on the tradition of blanket coats that stretches back to medieval times in Europe. And centuries ago in the Americas, Native weavers made outerwear of their blankets, and adapted the styles to manufactured Trade blankets when they were introduced in the late 1800s. We have to tell you this stuff because we’re Pendleton, and we go back a ways with blankets.

But enough history lessons. For now, just enjoy a few more pictures of a beautiful woman in a beautiful cloak.

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Jennifer Garner, InStyle in Pendleton Blankets

We’re excited about this InStyle shoot with Jennifer Garner, using fall colors in a coastal glamping setting.

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On the bike you can see the fall blanket for The Portland Collection. Under Jennifer in the close-up, you can see the Charbonneau blanket, with its beautiful indigo ground.

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Above, in the tent, the Charbonneau blanket makes another appearance.

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Here’s the legend behind this one:

This beautiful blanket, woven in our American mills, is named after Jean Baptiste Charbonneau. Jean Baptiste was the son of Shoshone guide Sacagawea and French Canadian trapper Toussaint Charbonneau. As the youngest member of the Lewis and Clark Expedition—and quite possibly the most important—he unwittingly protected it from attacks. Because women and infants were never included in war parties, Native Americans assumed the expedition was on a peaceful mission and let it pass without harm. After spending his childhood in St. Louis under the care of expedition leader Captain William Clark, Jean Baptiste lived in Europe until the lure of the American West called him home. A master of four languages, he spent nearly four decades roaming the far West as an interpreter, guide, magistrate, mountain man and gold prospector. The blanket’s traditional Native American-inspired graphics honor Charbonneau’s Shoshone heritage. (Source: pendleton-usa.com)

Jennifer is everyone’s hero right now for her remarks on the Ellen show about her “baby bump.” What a good-natured celebrity response to the pressures of tabloid culture. And, what a beautiful shoot.

 

Pendleton Pets: Dog Day Afternoon

It’s true that cats rule the Internet. It’s also clear that cats rule Instagram, if you compare the ‘likes’ on a cat Instagram to the ‘likes’ on a dog Instagram. But Man’s Best Friend is long-suffering and waits his turn. Today, we bring you a collection of Pendleton Dogs from Instagram. All photos used with permission.

 

A little terrier, a Glacier National Park Blanket, a cup of coffee. Life is officially complete.

 

An Irish wolfhound on location at a photoshoot for ROXY with our Bright River blanket.

 

With a Pendleton wool shirt and a wolf hybrid dog, you’d feel pretty safe in the wilderness.

 

Dogs like glamping, too.

Spaniels holding court on Heritage and Mill Tribute blankets.

 

This Boston Terrier cuddles up to two garments from The Portland Collection. That’s one stylish dog.

 

An elegant dog on one of our most popular and elegant designs, the Glacier National Park blanket.

 

Another great Pendleton wool shirt, another great dog ready to take on the day.

 

A Norfolk terrier looking dashing, dapper, and dandy in a Pendleton bandana.

 

What better way for this big beauty to dry off than a  Pendleton Spa Towel?

 

Quite a shot with a little Puggle (we think) and the Glacier National Park blanket.

 

Lola Jane samples some Dawg Grog on her custom blanket made from Sugar Skulls fabric.

 

This looks to be one enlightened pup in his Pendleton Spa Towel.

 

There you have it. You can follow the fun on Instagram @pendletonwm.

Pendleton Pets: Caturday

It’s Caturday on our blog! Here’s a collection of Pendleton kitties who nap in style. All images used with permission.

Tuna the cat saying hello from an Arrowhead blanket.

 

A Weekender bag with feline cargo.

 

A Glacier National Park blanket makes a perfect backdrop for a magnificent catscape.

 

Our limited edition Glacier National Park Anniversary blanket  portrays the wildlife of this stunning Montana park, including moose, grizzlies and housecats.

 

The blanket is called a Motor Robe because it elicits a purr that sounds like a motor. Well, not really. But it’s a cute idea.

 

A Chief Joseph blanket makes for a good home base.

 

Heritage relaxation: a tabby with a Thomas Kay Collection throw.

 

A Siamese is having none of our nonsense atop a Yakima Camp blanket.

 

If cats could swear. That’s a Chief Joseph blanket.

 

Slumbering on our North Star blanket, dreaming of night prowls.

 

Our Instagram is great fun. Follow us at @pendletonwm

Pairing Local Brands and Local Ingredients for Transcendent Results: Pendleton Woolen Mills Chocolates by ALMA

 

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 Pendleton Woolen Mills is working with ALMA chocolates to develop small-batch chocolates in a delightful co-branding. Beautiful Pendleton packaging encases delicious, intense and inventive confections made of Portland’s Woodblock chocolate, Netarts Bay sea salt, Hood River cherries, Oregon hazelnuts, Sundance Lavender Farm’s lavender and more.

These world-quality ingredients help bring the flavors of the Pacific Northwest to chocolates that perfectly express Pendleton’s commitment to excellence. ALMA’s Hannah Sullivan calls it the Oregon Flavors Collection,  and it’s available now at Pendleton’s retail store locations across America. We suggest you get yours soon, as these are disappearing as soon as we put them out.

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Pendleton chocolates; isn’t this a dream come true?

If you’d like to understand why Pendleton chose ALMA to develop our chocolates, you should visit the ALMA store in Northeast Portland.

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You can browse the chocolates, baked and frozen treats.

 

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Your curiosity will be aroused and answered with a generous array of samples.

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Make your choice and take a seat with a freshly crafted coffee or tea drink, or treat yourself to a drinking chocolate. Try the Thai Coconut Cup; soothing, enlivened with notes of coconut, but never overwhelming despite the fact that you are essentially drinking melted chocolate. Best of all, you can visit ALMA’s beautiful icons; poured of single-source chocolate and gilded with edible gold leaf. There’s one for everyone you know.

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Sarah Hart and Hannah Sullivan, the mother and daughter team behind ALMA, bring a delightful pedigree to the work of creating Portland’s premiere chocolates.

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Sarah is a former college instructor at the University of Oregon who repeatedly found herself drawn back to the world of fine food throughout her life. She worked at Papa Haydn  after relocating to Portland, and went on to L’auberge. Sarah has received awards and accolades for her work with ALMA; the 2014 Good Food Award for flavor and sustainability, the 2008 Rising Star Chocolatier Award, and more. She’s also a Cooking Light 2010 Taste Test Winner. Sarah named the business after her grandmother, Alma, who had a special gift for feeding people.

Sarah’s daughter, Hannah, was born in Eugene and raised in Portland. It’s only natural that she moved to Brooklyn, the Portland of the east coast, after she finished college. Hannah worked as a pastry chef, worked at Penguin publishing before settling in as a food editor for Bon Apetit magazine. Brooklyn is one of the birthplaces of the Maker Movement, with its grassroots commitment to local materials and serious craftsmanship. Hannah was especially interested in the rise of artisanal food makers. As she puts it, she thought, “Hey, I know one of those.” She returned to Oregon in 2012 to join her mother in a transformation of ALMA that included opening a commercial kitchen to grow the wholesale side of the business.

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The result? Bliss, really. Whatever it is chocolate does for the body and brain (and scientifically, it’s suspected to do wonderful things), ALMA chocolate succeeds completely. We couldn’t be prouder of this small but delicious collaboration.

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 All photography in this post by Lauren Modica, copyright 2014. Usage rights retained by Pendleton Woolen Mills.

Macklemore: a Northwest Artist with Pendleton Wool

Macklemore is originally from Seattle, WA. Maybe that’s why his videos use Pendleton wool  letting us act as a signifier for the west and the wilderness.  We’re glad he hasn’t forgotten his Pacific Northwest roots.

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The train seats are upholstered with our Canyonlands fabric, and bring to mind the Portland Express run by AMTRAK last year. The blanket on the camel (okay, so maybe we don’t get that one, either) is one that benefits the American Indian College Fund called the Earth blanket. These are both great songs, but we’re still partial to his first big hit, which also celebrates a Portland passion; going to the thrift store. We don’t have anything in this one, but hey, don’t you love finding Pendleton when you’re thrifting?

 

Greg Hatten and a Wooden Boat Proposal

Greg Hatten is our guest blogger today. Usually he writes about heart-stopping whitewater river journeys in his wooden boat, the Portola. Today’s post is about another kind of adventure, and it’s more heart-tugging than heart-stopping. We hope you enjoy it.

My youngest daughter and her serious boyfriend, Josh, took an Oregon river ride in my wooden boat one hot summer weekend last year. Despite the lack of fishing time, we all had a great time. This trip was about the water, the waves, and the old man checking out the young man in my daughter’s life. He checked out fine. I liked him much more than the others that had come and gone before him.

One year later, he was eager to come back to Oregon. He was ready to get back in the boat and maybe catch a steelhead on a fly. Understand, this is an accomplishment that requires thousands of casts and years of suffering broken rods, broken leaders, broken spirit. But he had a goal, so we saved the date. As it approached, his interest and questions about the details of the trip increased.

It was going to be a hot, sunny day. We started early. ‘0 dark 30 early, 4:30 AM early. Mentally making our offerings to the steelhead gods, we climbed in my FJ40, pulled the choke, turned on the headlights and headed up river, boat in-tow. We pulled into the boat launch. Judging by the lack of trucks and boats at the ramp, most fishermen had stayed in bed, conceding the day before it even began.

The most elusive of Pacific Northwestern fish proved to be just that. For two hours we fished some of the best pools and slots on the river and felt nothing – not a bite, not a hit, not a take-down, no sign of a steelhead. A familiar fishless ache in my gut prompted me to remind Josh of the degree of difficulty and disappointment associated with chasing steelhead on the fly. And then–WHAM! Josh felt “the tug” — a strong one – and suddenly line was peeling off the reel and the rod was doubled over in a rainbow arc. I heard him say, “WOW.”

It was a great fight with impressive runs and a few sharp jumps caught in vivid HD by the Go-Pro mounted on the bill of a fishing hat. A thirty minute tug-of-war brought a tired fish to the net and into the boat. He did it! On one of the hottest, sunniest days of the summer, Josh had hooked and LANDED his first steelhead on the fly.

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We took the required pictures. He sat there holding the big fish in my boat, looking very serious and clearing his throat. Then he asked my blessing to propose to my daughter. Then it was my turn to feel “the tug,” and Josh heard me say “WOW.” But this had nothing to do with a fish. I thought, are you kidding me? Who’s writing the script for this? He’s holding a trophy fish in my wooden boat and asks for my daughter’s hand in marriage. What could a fly fishing father say but, “Let me shake your slimy hand and welcome you to the family, Son.” Especially since fifteen minutes later, in the very next pool, Josh hooked up and landed a second steelhead in a battle that was even more dramatic than the first. That time, we both said, “WOW”.

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That evening, after a dinner of fresh steelhead on the grill, Josh pulled out a ring and proposed to my daughter Sarah by the light of the campfire over the sound of the McKenzie River flowing behind Eagle Rock Lodge. She said yes. And then I’m pretty sure she said, “WOW.”

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Quite a day.

 

Our congratulations to the happy couple. Be sure to read about Greg’s river adventures here, here and here.

German VOGUE–Summer 2014

We had a gorgeous feature in German VOGUE this summer. The weathered walls and dry landscape make an atmospheric backdrop for our Native American-inspired blankets. Please click for larger views!

Cover with the NIKE N7 blanket, which benefits the American Indian College Fund: Innovation meets tradition with this collaboration between Nike N7 and Pendleton Woolen Mills. For inspiration, Nike designer Derek Roberts looked to traditional Native American dress and how the patterns work together to create a garment. He started at the bottom of the blanket with a smaller pattern of arrows that repeats and grows in scale toward the center. The top is a mirror image of the bottom. Putting a unique twist on the traditional Pendleton blanket, he used only black and white instead of the usual multitude of colors. The result is a distinctive, contrast-driven look that subtly blends black and white to create varying grey tones in heathered and color-blocked designs. The center of the blanket prominently features the Nike N7 mark–three arrows pointing back to signify past generations, three arrows pointing forward to signify future generations, and arrows in the center to represent the current generation. The arrows, sometimes appearing as triangles or other shapes, convey both movement and balance. The blanket reverses for a positive/negative visual effect–with a black base on one side and white on the other.

 

The Crossroads  blanket.

The Crossroads design reflects First Nations teachings and the power of the four directions – the number “four” is sacred among many Native American tribes. East represents the physical body, the realm of the Warrior. West represents the heart and the path of the Visionary. North is the region of the mind and the wisdom of the Teacher. South represents the spirit, enlightenment and the realm of the Healer. Balance and harmony are achieved where the directions meet at the center of the Medicine Wheel. Crosses in this jacquard pattern symbolize the crossroads where the paths meet – the place where an individual becomes whole.

 

The San Miguel blanket.

A pattern inspired by mid-to-late 19th-century Native American weaving traditions and the influence of Spanish missionaries in the Southwest. The design's roots are in the traditional banded Chief Stripe pattern which evolved into a "nine-element" layout. The reversible jacquard has two dramatically different looks.

 

The Saxony Hills blanket.

The Saxony Hills Blanket references the changing landscape of Navajo weaving in the 1800s. Spanish explorers had introduced Churro sheep to the Southwest in the late 17th century. The Churro bred by the Navajo produced a somewhat coarse, long-staple wool that was hand-spun and woven into shoulder robes or blankets, shirts and sashes. Hand-spun wool from these animals was the main source of yarn for Navajo blankets until the 1860s. Then Saxony yarns arrived in the Southwest by way of the Santa Fe Trail and later the railroad. These fine 3-ply yarns spun from the wool of merino sheep were produced in Saxony, a former German state, and in England, France, and New England. By the mid-1900s, Saxony yarns were used by the Navajos for general weaving. The Saxony Hills Blanket incorporates traditional, geometric Navajo motifs—diamonds, stepped triangles and Spider Woman cross patterns.

All blankets are available at pendleton-usa.com.

Blake Lively and Pendleton

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Blake Lively in August’s VOGUE. The blanket is our Midnight Navy Stripe in Pendleton Eco-Wise Wool.  You can see Ms. Lively’s new American lifestyle blog, Preserve, here.

 

Blackfern Boards x Pendleton, up close

The weather is right for hitting the waves. We’re celebrating summer this year with a Blackfern collaboration; two boards that are part of our Surf Pendleton collection. So here, in their own words, are all the steps that go into making these fine boards–one at a time, all by hand.

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Making the Pendleton Limited Edition Surfboard

Each Pendleton Limited Edition Surfboard is shaped, painted, glassed, sanded, and glossed by hand in Blackfern’s fabrication studio in Portland, Oregon.

Retro Styling

For the Pendleton Limited Edition Surfboard, a 1960’s era single fin model was chosen.  This timeless retro board embodies the lifestyle of the era; clean, simple, and stylish.  Many of these retro shapes are having a resurgence in popularity because of their versatility in a range of surf conditions.  The board style pays homage to an era in which Pendleton was a vibrant force in Californian surf culture.

The Process Starts

The first step in the fabrication process is to trace out the outline of the board onto a blank, which is a rough-cut piece of foam that resembles a surfboard, albeit not a very functional one.  The outline is cut out of the blank, not unlike making Christmas cookies, and the excess foam is removed.  The outline is then tuned by a rasp-like tool called a surform, in order to hone the perfect curve that will define the finished board.

From Bottom…

The next step is to craft the bottom of the board.  This process begins by power planing or “skinning” the protective outer shell of the blank that protects the softer foam within.  After the skin is removed, the bottom contours are shaped in by removing material with additional passes with the power planer, surform, and finally, sanding blocks.  The single fin model features shallow concavity through the middle of the bottom, blending into a V contoured tail.  These contours give the board a loose and nimble feel with higher performance than would be achievable with a flat bottomed board.

…To Top

At this point it is time to flip the blank over and begin working on the top of the board.  Similar to the bottom, the first step is to remove the protective skin of the blank.  During this process,  I start to flesh out the top contours and the “foil” of the board.  Foil refers to the changing thickness, both from the center towards the rails as well as from the tip to the tail of the board.  It is during this process that a shaper’s ability to visualize in three dimensions becomes crucial.  Knowing where to remove material and in what quantity can be tricky.  The goal is to produce a smoothly foiled board; maintaining volume in helpful areas and removing it where unneeded.

Forming the Rails

After the top has been shaped and foiled, its time to move onto the rails of the surfboard.  At this point the board has a functional top and bottom but with its boxy, vertical rails, it would be miserable to surf.  To form a smooth curving rail, I begin removing rail material in the form of rail “bands.”  Bands are sloped ridges that run the length of the board; thickest at the middle and thinner towards the tip and tail.  By removing rail material incrementally in these stepped ridges, it is possible to produce a rail that changes shape and thickness in a controlled and consistent fashion.  Once the bands are crafted to satisfaction, the board is turned onto its rail and I begin passing a sanding screen over the ridges of the “bands.”  After screening repeatedly, the ridges disappears and a smoothly curving rail emerges.

Finishing Foam Touches

The final steps of the shaping process are to install the slider single fin box and to finish sand the entire shaped surfboard to a buttery smooth finish.  The board is signed off to the customer who ordered it.  I write the customer’s name, the dimensions of the board, and finally “Pendleton Surf Limited Edition.”

Getting that distinctive Pendleton look

The specialized Pendleton artwork is applied before glassing the board.  The two color versions vary on their preparation.  To produce the characteristic plaid pattern, I start off by creating a series of vertical stripes that represent the four primary colors of the pattern.  I then lay out horizontal bands that cross directly over the vertical bands.  I use the same four primary colors and spray through a sanding screen, producing the blended color tones featured in the plaid print.  Finally, I add a band of dark color around the rails of the surfboard to form a frame of sorts.

For the striped version, I tape off three zones of the board; center, nose, and tail.  Within these zones, alternating colored bands of varying thicknesses are laid down to form the distinctive, classic pattern.

Onward to Glassing

Glassing is only achievable in incremental steps, similar to the process of shaping the foam of the board.  Glassing consists of four separate treatments of resin that constitute the glassing process; two laminations and two hotcoats.  A lamination is the process through which fiberglass cloth, saturated with resin, is bonded to the fragile foam core.  A hot coat is an additional layer of resin that helps protect the fiberglass cloth and completely seal the inner foam core.

Laminations

The first lamination occurs on the bottom of the surfboard.  To prepare for the lamination, the top of the board is taped and masked to avoid being exposed to resin prematurely.  A piece of fiberglass cloth is rolled out over the length of the board and is cut so that the fabric drapes over the rails, usually extending approximately 2-4 inches below the beginning of the rail.  Surf Pendleton and Blackfern decals and fin boxes are dry fitted to ensure that no mishaps occur.  The entire surface of the board is then “wetted out” with polyester laminating resin.  A squeegee is used to work the resin into the porous foam of the board and to fully saturate the fiberglass cloth.  The cloth is carefully wrapped over the rails and the board is left to harden or “cure”.

Once the bottom is cured, the board is flipped over and the same process is done to the top, this time with two layers of fiberglass cloth to add additional strength to the deck.  After wrapping the top layers of fiberglass onto the bottom of the board, the resin and fiberglass are left to cure once again.

Hotcoats

To hotcoat the board and finish glassing the board, another coat of polyester resin called sanding resin is applied to each side of the board.  This process is among the most simple of all the steps of surfboard fabrication – resin is poured out of a small pail and then spread evenly over the surface of the board with a large paint brush.  Each side is left to cure before flipping the board a final time to hotcoat the other side.

Hot coating produces a slick, imperfect surface.  In order to make it ready for use, every square inch of the board must be sanded.  Sanding makes the surfboard finally feel like a surfboard; smooth, strong, and perfect.  Many boards are considered finished and ready for use at this stage but the Pendleton boards receive one additional treatment – a gloss coat.

Glossing

The gloss coat is nearly identical to the hotcoat.  The only major difference in the processes is that the gloss coat resin is slightly thinner and is applied to a perfectly smooth, even surface.  As a result, less resin is required and a perfectly smooth surface is formed.  Even so, the entire board is sanded again to make it ready for use.  Successive sand paper treatments, each one higher grit than the last, are used to form completely smooth and scratch free surface.

Finishing Touches

To bring a shine to the finished product, buffing compound is applied using a woolen compounding bonnet.  Finally, a treatment of polishing compound is applied to all surfaces of the board using a polishing pad to give it a candy-like luster.

Launch

Tools and hands have passed over every square inch of this board dozens of times and, at last, this Pendleton Limited Edition Surfboard is ready to ride!  Get ready to catch some great waves!

 

 

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