Posts from the ‘home and blankets’ Category
Here at Pendleton, we have been proud to support the rein of Amber Big Plume, the Calgary Stampede Indian princess for 2013. We are just as excited about Carly Weasel Child, the 2014 Princess. That’s her, posed before the Canadian Rockies in a coat made from our Canyon Diablo blanket. From the Siksika Nation, Carly is currently attending Siksika College. Her eventual goal is a Bachelor’s Degree in Mass Communications, to prepare for a future career in journalism or public relations.
Carly is a jingle dancer. Her Blackfoot name, Papainhkkiakii, means“Dream Singing Woman”. As the 2014 Indian Princess, Carly continues a family legacy, being the fourth young woman in her family to serve as royalty. She says of being princess, “It’s an incredible honor to carry the title of Calgary Stampede Indian Princess and have this opportunity to make a positive impact for my community. I have always admired the strong women who have served as Indian Princess before me and I am so excited to share the beauty and importance of the First Nation’s culture during my year. I look forward to greeting visitors from around the world to Indian Village during the 2014 Calgary Stampede – the Greatest Outdoor Show On Earth!”
Below, please enjoy some shots of the Pendleton blanket-draped stage, Amber Big Plume saying good-bye, and more shots of Carly in her new role. Our favorite shot is of both women wrapped in their blankets, gifts from Pendleton to celebrate their roles as representatives of the five tribes of Treaty 7, the Indian Village and the Calgary Stampede.
Dia de los Muertos, or the Day of the Dead, is celebrated on October 31st and November 1st and 2nd. In Mexico, celebrants build ofrendas, altars to the deceased, with photos, candles, and the favorite foods of those who have moved on. In Brazil, families visit churches, then visit cemeteries. In Spain, celebrants enjoy festivals and parades throughout certain neighborhoods. Wherever the holiday is observed, the spirits of the departed are welcomed back to this world with specific symbols; calaveras (sugar skulls), masses of stylized flowers, and dressed skeletons.
The roots of the holiday go back more than 3,000 years ago, to the age of the Aztecs and a ritual that celebrated the goddess Mictecacihuatl. The skulls and flowers symbolized death and rebirth. In the 15th century, Spanish conquistadores were aghast at a ritual that seemed to mock death. In an attempt to make the ceremony more Christian, the Spaniards moved the event to All Saints’ Day, but the symbology remained, growing more fanciful and varied through the generations.
The central figure of our Day of the Dead blanket represents the colorful wooden skull masks or calacas that celebrants wear as they dance to honor their dead relatives. The wooden skulls, decorated sugar skulls and marigolds are placed at gravesites and altars for the departed. The blanket’s bright colors and festive images of flowers and mariachi musicians capture the spirit of the celebration.
We have a related pattern called Sugar Skulls based on one of the elements in the Day of the Dead blanket. It’s used in fabric, a spa towel, an array of bags and Diego the bear. Our patterns capture the spirit of joyful welcome as celebrated by people all over the world during Dia de los Muertos.
Here’s a video of Bugaboo’s Park City launch of the Bugaboo Buffalo, a stroller model that goes here, there and everywhere. The video shows just what terrain this model can handle. You can see Pendleton here and there, especially during the indoor marshmallow roast. And of course, here, during the bongo party.
Here’s the video.
Our special collaborative models are available at www.bugaboo.com.
This week marked the birthday of Yosemite National Park. Nearly 4 million people a year visit this World heritage site, which spans 761,268 acres and crosses the slopes of the rugged Sierra Nevada mountains in California. With its diverse wildlife, sky-sweeping Sequoias and distinctive rock formations, this wilderness contains some of the most rugged beauty of the American West.
It’s our deepest hope that we can resume enjoying our national treasures soon. In the meantime, Pendleton continues to honor our National parks with a growing collection of distinctive blankets that includes Yellowstone, Badlands, Grand Canyon, Yosemite, Rainier, Acadia, Crater Lake and Glacier.
Each blanket bears the Pendleton label along with a special label depicting an image with an important natural feature specific to each park. All blankets are 100% pure virgin wool and made in the USA.
This is a beautiful time of year to see the western parks. Let’s hope our families can enjoy them soon!
From the sheep to the shelf, Pendleton Eco-Wise Wool® passes strict standards of sustainability and stewardship. That sounds admirable, doesn’t it? But those lofty words would mean nothing at all if Pendleton Eco-Wise Wool® products weren’t soft, richly colored and delightful to touch.
There are many, many products out there claiming to be green. Pendleton Eco-Wise Wool® has been Cradle to Cradle Certified© by MBDC, a respected product and process design firm dedicated to promoting sustainable production. If you’re curious, you can find out more here. The best way to explain it? If you were to take a Pendleton Eco-Wise Wool® blanket and bury it (but please don’t!), it would leave the earth better, not worse, for the addition.
Pendleton Eco-Wise Wool® is an innovation in the Umatilla wool we’ve woven for over a century that uses nontoxic biodegradable dyes. Pendleton is known for the depth and intensity of our colors. Vegetable dyes are not as stable as chemical dyes, and the formula took some tinkering, especially the red spectrum. But with a great deal of trial and a reasonable amount of error, we produced Pendleton Eco-Wise Wool® that we could guarantee for quality.
So maybe you want to wrap yourself up in environmental responsibility this year, or maybe you just want something beautiful, wooly and Pendleton. In either case, we have plenty to show you.
Our washable bed blankets are offered in ten plaids, eight of which are shown below.
You can see all of them here. Love those blanket-stitched edges. These are washable, and get softer with each trip through the spin cycle.
Wool is a perfect choice for top-of-bed. There is a subtlety to the texture, nothing shiny or artificial about it, and the color will remain true forever. You can add accent interest with pillows or…
…maybe the fringed Eco-Wise Wool Lambswool Throw.
This is actually a lambswool/merino blend, and if you know your wools, you’ll appreciate what merino does for the hand. It is soft. The plaids coordinate back to both the plaid and solid bed blankets, or stand on their own in any room of your home.
There are accent pillows, fabric by-the-yard, window panels and more available in Pendleton Eco-Wise Wool®. Give us a visit and see all our colorful ways to be green.
With our Heritage Collection, Pendleton has brought many of our classic patterns back to life in our USA mills. Using designs from our archives as old as 1896, we’ve painstakingly rewoven blankets from the heyday of the Native Trade blanket. These blankets display a dizzying richness of color and geometry.
This is the newest addition to the Heritage Collection. Fifty thousand years ago the Canyon Diablo meteorite made its mark on the Arizona landscape. Millennium later, pre-historic Native Americans discovered meteor fragments along the canyon rim. Many Southwest cultures since have considered these fragments to be gifts from the gods endowed with other worldly energy. Today the crater made by the meteorite sits on the Navajo Indian Reservation near Flagstaff. This is an Overall pattern blanket.
The Gatekeeper is an original Pendleton design from 1935. An eight-point star is the central figure. This common design element among the Sioux (Lakota, Dakota and Nakoda) often represents the morning star, gatekeeper of the day, shows the way to the light and knowledge. This blanket is a beautiful example of a Centerpoint pattern – one that contains a central design element that falls within a band through the center of the blanket.
The Evening Star design features a traditional star symbol emblazoned on the colors of the sunset. The outlined Venus symbols–representing both the morning and evening star–that inspired this blanket have been found on rock art throughout North and South America. Stories of the Evening Star (the planet Venus) are found in a number of Native American myths. This is a Nine Element blanket.
The original Silver Bark blanket dates from the 1920s and was rediscovered in a private collection. The design features stylized arrow, star, diamond and waterbug motifs in colors inspired by the white and grey bark of Aspen trees against a blue sky. The original blanket was bound in satin, like a bed blanket. Our re-creation has a wool binding (twin sizes) or a suede trim (full, queen and king sizes). . It’s a stunning example of an Overall pattern.
This has been a favorite in the Heritage Collection for almost a decade. The Turtle Blanket is a re-coloration of an early 1900s Pendleton design, and is one of the longest offerings in the heritage Collection. It pays tribute to the Iroquois Confederacy, one of the oldest participatory democracies on earth, consisting of the Oneida, Seneca, Mohawk, Cayuga, Onondaga (and later the Tuscarora) Nations. The Turtle design was inspired by Iroquois, primarily Mohawk, creation legend. This blanket is another example of Centerpoint design in which three major design elements fall in a row down the center of the blanket.
The Heritage Collection blankets are beautiful, but they don’t stay in the line forever. All are available at www.pendleton-usa.com.
We received a letter from Kathleen Praxel about the Paddle to Quinault, a water journey that takes place each summer in Canada and the Pacific Northwest. Participants travel the Salish Sea, a network of waterways connecting the Strait of Juan de Fuca to Puget Sound.
This year’s Paddle to Quinault Journey embarked from Squaxin Island and landed at Taholah, Quinault tribal headquarters on the mouth of the Quinault River. From July 15th to August 1st, this year’s journey covered over 300 miles of waterways including Hood Canal, the Straits of Georgia and Juan de Fuca, and the Pacific Ocean from Neah Bay to Taholah.
Over 46,000 spectators watched the paddlers at different points on the journey, with visitors from New Zealand and Australia, as well as many tribes from Canada. Next year the event will start from Taholah and the paddle will be to Bella Bella in Canada – a distance of some 700 miles.
This is Martha Boyer, Quinault tribal member and skipper of the “Chi? Swit”(pronounced Chee e Swite), a canoe named for Martha’s grandmother. She is posed before a Raven and the Box of Knowledge blanket. Martha’s photo and pictures of the Chi? Swit are in the Lake Quinault Museum, Quinault, Washington. The museum was opened 10 years ago and includes history, photos and artifacts from the nearby communities of Quinault, Amanda Park, Queets, Clearwater, Neilton, Humptulips, and Taholah. You can learn more about the museum on its Facebook page.
This is group of “pullers” with Kathleen’s husband, Ed, at their place on the North Shore of Lake Quinault.
The journey is designed to strengthen participants’ ties to their history and homeplace. To learn more about the Journey and the people involved, please enjoy this feature in the North Kitsap Herald, “Canoe Journey helps participants connect with who they are | Paddle to Quinault.” Thanks to Kathleen for telling us about this journey and sharing her wonderful photos. And for those of you who are interested in the blanket, here is the story:
This intriguing blanket is based on a work by internationally renowned glass artist Preston Singletary. Mr. Singletary grew up in the Pacific Northwest – both of his great-grandparents were full-blooded Tlingit Indians. His works explore traditional images and legends of his Tlingit heritage translated into glass. The image on this blanket represents Raven, a shape shifter and trickster who often employed crafty schemes to achieve his goals. In the story, the old chief who lived at the head of the Nass River kept his precious treasures – the sun, the moon and the stars – in beautifully carved boxes. Raven steals the light, and making his escape carries the sun in his mouth. The sun is a metaphor for enlightenment or knowledge. The ombred background shades meet in the center in vibrant colors of sun and light. Mr. Singletary’s artworks are included in museum collections from the National Museum of the American Indian in Washington, DC to the Handelsbanken in Stockholm, Sweden. He is a member of the Board of Trustees for the Seattle Art Museum. A portion of the proceeds from this blanket will be donated to the American Indian College Fund to help support tribal colleges.
We got word of some happy Pendleton fans this last week when we received this photo of our Route 66 blanket on the front seat of a 1953 Hudson Hornet. Thanks to Anna and Dean for letting us share it, and from their friend Carolyn for letting us know about it. If you missed our post about this blanket and the route that inspired it, just click here.