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Posts from the ‘home and blankets’ Category

Visit Pendleton’s Past in Downtown Portland

Through February 28th, Pendleton’s history is on display at the Oregon Historical Society. This beautiful building on Portland’s South Park Blocks is very near Portland State University and the Portland Art Museum. Sounds like a great day downtown, doesn’t it?

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The exhibit is a fun way to learn just how Pendleton is woven into Oregon’s history. The desk on display was an old oak roll-top from our corporate headquarters. It was reserved for use by the mill manager when he made his way to Portland from Washougal. Our current manager may have opened a laptop on it a time or two, but times have changed and the desk sat unused for decades.

As we approached the 150th anniversary of the opening of Thomas Kay’s mill, our visual manager, Shelley Prael, decided to incorporate the desk into a display at a sales meeting. When she opened the drawers, she found them full of items belonging to Thomas Kay’s nephew, C.P. Bishop, who used the desk in the old Bishop’s store in Salem.

Numerous treasures, including his college yearbooks, journal and eyeglasses, were accessioned into our archives. But don’t worry, some are on loan to the exhibit, along with other artifacts and a timeline that takes you from 1863 to the present.

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More information here.

1932 Olympic Blankets

Ah, Olympic fever. Despite mixed reactions to the USA uniforms (thanks to Lizzie for this post) and some alarming tweets from the press about the hotels, we’re still excited for the official opening of the Winter Olympics in Sochi, Russia. Most fans have been watching the skating and snowboarding, enjoying the games in advance of the opening ceremonies.

Of course, Pendleton has an Olympic connection. In 1932, we won the commission to provide blankets to the Olympics. Here is a photo of the blankets leaving on a train for Los Angeles.

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There are several known colorways for these blankets. In our archives, we have only one, with a very warm color scheme. There are also a light blue and a brights-on-white patterns out there, but we haven’t been able to track down examples. There might even be more. Here is our archival blanket.

WEB_1932 Olympic blanketHere is a close-up of the label.

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That’s a VERY CLOSE close up, isn’t it? Even so, the label is worn enough that you might want the label’s text:

Genuine
OLYMPIAD BLANKET
100% Virgin Wool
1932
PENDLETON WOOLEN MILLS
PORTLAND, OREGON U.S.A.

Olympic fever is nothing new, and Pendleton traded on it with themed displays.

1932_Olympic_Display1In the displays, mannequins wear tasteful blanket coats that look modern. We are not sure if those were sewn and offered for sale by Pendleton, or sewn just for display to encourage consumers to get creative with the blankets. Pendleton did manufacture labeled blanket coats for women over the years, but our first women’s sportswear line debuted in 1949 with our 49’er jacket as the centerpiece.

1932_Olympic_Display2And yes, at $7.95, you can’t beat that price.

It has been a winter of winters here in the US, so as you sit back and enjoy the competition this year, we hope you stay warm. And if you have an example of the other colors of the Pendleton blankets, drop us a line! We would love some color photos.

All Aboard with AMTRAK’s Portland Express

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This beautiful car is part of the new  Portland Express, or, as 1859 magazine calls it, “The most Portland train car ever.”

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With an array of makers’ good that include Pendleton wool slipcovers, typewriters, bottles of Oregon rain, chocolates, papers and more, this is one club car you won’t want to miss. Check out more photos here.

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The Portland Express celebrates the  AMTRAK expansion between Vancouver B.C and Eugene, OR.  Details on booking here.

Father Winter for Holiday 2013

With the first day of winter just around the corner, it’s only fitting that we say hello to this year’s Father Winter. Resplendent in a robe of Feather Storm wool fabric, he carries a dream catcher. His natural feathers and fur trims are gathered by the craftsman who makes him for us here in the USA.

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He looks beautiful displayed with one of our snow globes.

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Hope your season is fun and full of the special things that make it happy.

Portland’s Pittock Mansion

Portland’s beautiful Pittock Mansion is open for holiday tours, and as usual, Pendleton products help adorn it. Henry Pittock’s bedroom is done in a northwest theme with the Chief Joseph blanket in sage on the bed.

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The Pittock Mansion is a piece of Portland’s history. Guest can tour the grounds and enjoy panoramic views in every direction. So come take a tour! Details here.

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Three Corn Maidens

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The Three Corn Maidens blanket is part of our series for the American Indian College Fund. The Three Corn Maidens design tells the story of the Pueblo people’s belief that just as the sun gives life to the corn, the Corn Maidens bring the power of life to the people. The blanket was designed by Isleta Pueblo artist Mary Beth Jiron as a celebration of her acceptance into the Institute of American Indian Arts in Santa Fe, New Mexico. Jiron attributes the concept to visions she had and the desire to tell a story from her own culture in which corn is the staff of life and often the center of ceremony. Three Corn Maidens is the second design in the American Indian College Fund’s series of student-designed blankets. The Three Corn Maidens design won first place in the student blanket contest.

If you’d like to support that AICF through a blanket, you can see all the designs here. Since 1995, Pendleton Woolen Mill’s support of the American Indian College Fund (the Fund) has helped more than 400 students pursue their dreams of obtaining a college degree through the Pendleton Woolen Mills Tribal College Scholarship Program, which provides scholarships to American Indian students attending tribal colleges and universities (TCUs) in Washington and Montana, and the Pendleton Endowment Tribal Scholars Program, which provides scholarships in perpetuity to Native students attending TCUs throughout the United States.

“We are always inspired by the individual stories of struggle and triumph of the students who receive the scholarships,” said Robert Christnacht, Pendleton Home Division Manager. “Pendleton is honored to be able to contribute to the long-term growth of the tribal college system through the American Indian College Fund.”

 

Lou Doillon via Garance Doré

Here’s Lou Doillon perched on her Chief Joseph blanket from fashion photographer, illustrator, and writer Garance Doré. Beautiful!

Lou courtesy Garance Doré

Carly Weasel Child, our new Calgary Stampede Indian Princess

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Here at Pendleton, we have been proud to support the rein of Amber Big Plume, the Calgary Stampede Indian princess for 2013. We are just as excited about Carly Weasel Child, the 2014 Princess. That’s her, posed before the Canadian Rockies in a coat made from our Canyon Diablo blanket. From the Siksika Nation, Carly is currently attending Siksika College. Her eventual goal is a  Bachelor’s Degree in Mass Communications, to prepare for a future career in journalism or public relations.

Carly is a jingle dancer. Her Blackfoot name, Papainhkkiakii, means“Dream Singing Woman”.  As the 2014 Indian Princess, Carly continues a family legacy, being the fourth young woman in her family to serve as royalty. She says of being princess, “It’s an incredible honor to carry the title of Calgary Stampede Indian Princess and have this opportunity to make a positive impact for my community.  I have always admired the strong women who have served as Indian Princess before me and I am so excited to share the beauty and importance of the First Nation’s culture during my year. I look forward to greeting visitors from around the world to Indian Village during the 2014 Calgary Stampede – the Greatest Outdoor Show On Earth!”

Below, please enjoy some shots of the Pendleton blanket-draped stage, Amber Big Plume saying good-bye, and more shots of Carly in her new role. Our favorite shot is of both women wrapped in their blankets, gifts from Pendleton to celebrate their roles as representatives of the five tribes of Treaty 7, the Indian Village and the Calgary Stampede.

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Pendleton’s Day of the Dead Blanket

Dia de los Muertos, or the Day of the Dead, is celebrated on October 31st and November 1st and 2nd.  In Mexico, celebrants build ofrendas, altars to the deceased, with photos, candles, and the favorite foods of those who have moved on. In Brazil, families visit churches, then visit cemeteries. In Spain, celebrants enjoy festivals and parades throughout certain neighborhoods. Wherever the holiday is observed, the spirits of the departed are welcomed back to this world with specific symbols; calaveras (sugar skulls), masses of stylized flowers, and dressed skeletons.

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The roots of the holiday go back more than 3,000 years ago, to the age of the Aztecs and a ritual that celebrated the goddess Mictecacihuatl.  The skulls and flowers symbolized death and rebirth. In the 15th century, Spanish conquistadores were aghast at a ritual that seemed to mock death. In an attempt to make the ceremony more Christian, the Spaniards moved the event to All Saints’ Day, but the symbology remained, growing more fanciful and varied through the generations.

The central figure of our Day of the Dead blanket represents the colorful wooden skull masks or calacas that celebrants wear as they dance to honor their dead relatives. The wooden skulls, decorated sugar skulls and marigolds are placed at gravesites and altars for the departed. The blanket’s bright colors and festive images of flowers and mariachi musicians capture the spirit of the celebration.

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We have a related pattern called Sugar Skulls based on one of the elements in the Day of the Dead blanket. It’s used in fabric, a spa towel, an array of bags and Diego the bear. Our patterns capture the spirit of joyful welcome as celebrated by people all over the world during Dia de los Muertos.

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Japan’s Workwear Magazine and Pendleton blankets

This recent feature on our blankets in WORKWEAR magazine is full of vintage photos and brochures from the Pendleton archives. Enjoy!Workwear_10_13_aWEB Workwear_10_13_eWEB Workwear_10_13_bWEB

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